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Me Talk Pretty One Day

By DAVID SEDARIS



At the age of forty-one, I am returning to school and having to think of myself as what my French textbook calls "a true debutant." After paying my tuition, I was issued a student ID, which allows me a discounted entry fee at movie theaters, puppet shows, and Festyland, a far-flung amusement park that advertises with billboards picturing a cartoon stegosaurus sitting in a canoe and eating what appears to be a ham sandwich.

I've moved to Paris in order to learn the language. My school is the Alliance Française, and on the first day of class, I arrived early, watching as the returning students greeted one another in the school lobby. Vacations were recounted, and questions were raised concerning mutual friends with names like Kang and Vlatnya. Regardless of their nationalities, everyone spoke what sounded to me like excellent French. Some accents were better than others, but the students exhibited an ease and confidence I found intimidating. As an added discomfort, they were all young, attractive, and well dressed, causing me to feel not unlike Pa Kettle trapped backstage after a fashion show.

I remind myself that I am now a full-grown man. No one will ever again card me for a drink or demand that I weave a floor mat out of newspapers. At my age, a reasonable person should have completed his sentence in the prison of the nervous and the insecure--isn't that the great promise of adulthood? I can't help but think that, somewhere along the way, I made a wrong turn. My fears have not vanished. Rather, they have seasoned and multiplied with age. I am now twice as frightened as I was when, at the age of twenty, I allowed a failed nursing student to inject me with a horse tranquilizer, and eight times more anxious than I was the day my kindergarten teacher pried my fingers off my mother's ankle and led me screaming toward my desk. "You'll get used to it," the woman had said.

I'm still waiting.

The first day of class was nerve-racking, because I knew I'd be expected to perform. That's the way they do it here--everyone into the language pool, sink or swim. The teacher marched in, deeply tanned from a recent vacation, and rattled off a series of administrative announcements. I've spent some time in Normandy, and I took a monthlong French class last summer in New York. I'm not completely in the dark, yet I understood only half of what this teacher was saying.

"If you have not meismslsxp by this time, you should not be in this room. Has everybody apzkiubjxow? Everyone? Good, we shall proceed." She spread out her lesson plan and sighed, saying, "All right, then, who knows the alphabet?"

It was startling, because a) I hadn't been asked that question in a while, and b) I realized, while laughing, that I myself did not know the alphabet. They're the same letters, but they're pronounced differently.

"Ahh." The teacher went to the board and sketched the letter a. "Do we have anyone in the room whose first name commences with an ahh?"

Two Polish Annas raised their hands, and the teacher instructed them to present themselves, giving their names, nationalities, occupations, and a list of things they liked and disliked in this world. The first Anna hailed from an industrial town outside of Warsaw and had front teeth the size of tombstones. She worked as a seamstress, enjoyed quiet times with friends, and hated the mosquito.

"Oh, really," the teacher said. "How very interesting. I thought that everyone loved the mosquito, but here, in front of all the world, you claim to detest him. How is it that we've been blessed with someone as unique and original as you? Tell us, please."

The seamstress did not understand what was being said, but she knew that this was an occasion for shame. Her rabbity mouth huffed for breath, and she stared down at her lap as though the appropriate comeback were stitched somewhere alongside the zipper of her slacks.

The second Anna learned from the first and claimed to love sunshine and detest lies. It sounded like a translation of one of those Playmate of the Month data sheets, the answers always written in the same loopy handwriting: "Turn-ons: Mom's famous five-alarm chili! Turnoffs: Insincerity and guys who come on too strong!!!"