Can anyone help with this music assignment

— A le xis - Sep te m ber 1 2, 2 021, a t 1 0:4 6 p .m . E D T D efia n tly so ft in st ru m en ts lik e c ello a n d b asso ons give a m ore a u th en tic o utlo ok o f sp rin g . — D am ia n - S ep te m ber 1 2, 2 021, a t 8 :4 4 p .m . E D T no th in g it s ju st c h ao s an d a d oze n s o ng s at o nce.

— S am an th a - S ep te m ber 1 2, 2 021, a t 4 :1 6 p .m . E D T E xa m ple T w o In t h is s e ctio n, y o u w ill a n aly ze a n oth er m usic al w ork u sin g t h e s tr a te g ie s o u tlin ed o n th e H ow t o L is te n t o M usic p ag e. B e s u re t o d ow nlo ad t h e d eta il ed d esc rip tio n o f t h e m usic — it m ight h elp y o u w ith y o u r a n aly sis . Vivaldi: “La Primavera” The first movement of Concerto no. 1, “La Primavera,” from The Four Seasons by Antonio Vivaldi. For a detailed description of the music, follow the transcript link below. Rea d T ex t T ra n sc rip t Havi ng t ro ub le ? T ry our alt e rn ate p la ye r . Im pre ssi on s RES PO NSE B O AR D Listen 9/15/21, 3:13 PM HUM-200 - Page 2.3.3 - Stravinsky and Vivaldi https://www.webtexts.com/courses/45794-olearyrockey/traditional_book/chapters/4868284-module-two-introduction-to-the-humanities-continued/pa … 10/14 Kno w in g t h at t h is pie ce is ab out sp rin g , d oes it so und e sp ecia lly “sp rin g -lik e ” t o yo u? E xp la in w hy or w hy no t.

S H O RT-A N SW ER Q UES TIO N H ow is th e m usi c d if f e re n t f r o m S tr a vi nsk y’s The R it e o f S prin g ? RES PO NSE B O AR D W hic h p ie ce—S tr a vi nksy’ s The R it e o f S prin g o r V iva ld i’s “L a P rim ave ra ”—so und s m ore “ sp rin g - lik e ” t o yo u? E xp la in w hy th is is. C on te x tu ali z a tio n A m on g t h e f ir st t h in gs y o u ’l l w an t t o k n ow a b ou t t h is p ie ce a re :

W ho w as Anto n io V iv a ld i?

A nto n io V iv ald i w as a n I ta lia n c o m pose r w ho is b est k n ow n f o r h is c o n ce rto s, w hic h a re w ork s f o r a g ro u p o f in str u m en ts ( lik e a n o rc h estr a ) t h at f e a tu re a s o lo is t. H is m ost N o r e sp onse sa ved ye t.

N o r e sp onse sa ved ye t.

N o r e sp onse sa ved ye t. Listen 9/15/21, 3:13 PM HUM-200 - Page 2.3.3 - Stravinsky and Vivaldi https://www.webtexts.com/courses/45794-olearyrockey/traditional_book/chapters/4868284-module-two-introduction-to-the-humanities-continued/pa … 11/14 f a m ou s w ork is a s e t o f f o u r c o n ce rto s t h at d ep ic t t h e f o u r s e a so n s.

W hat i s a c o n ce rto ?

Lik e s y m ph on ie s, c o n ce rto s a re m ult i- m ovem en t w ork s. W e w ill l o ok a t t h e f ir st m ovem en t f r o m t h e “ s p rin g” c o n ce rto , “ L a P rim avera .” W hat i s un iq u e a b ou t “ L a P rim ave ra ” f o r i t s tim e a n d p la ce ?

T his p ie ce is o n e o f t h e e a rlie st s ig nif ic an t e x am ple s o f p ro gra m m usic , b eca u se e a ch c o n ce rto h as a n a cco m pan yin g p oem t h at V iv ald i tr a n sla te d in to m usic . Poem f o r t h e Fi rst M ove m en t o f “ L a P rim ave ra ” Sp rin g h as a rriv ed w ith j o y W elc o m ed b y t h e b ir ds w ith h ap py s o n gs, A nd t h e b ro oks, a m idst g en tle b re eze s, M urm ur s w eetly a s t h ey f lo w . The s k y is c a p ed in b la ck , a n d T hun der a n d l ig htn in g h era ld a s to rm . W hen t h ey f a ll s il en t, t h e b ir ds T ak e u p a g ain t h eir d elig htfu l s o n gs. E ach l in e o f t h e p oem r e p re se n ts a d if fe re n t s e ctio n o f t h is m usic al w ork . R ea d a lo n g w ith t h e p oem a s y o u l is te n a g ain . W here d oes e a ch s e ctio n s ta rt a n d e n d? W hic h se ctio ns d o n ot d ir ectly r e fle ct t h e p oem ? Listen 9/15/21, 3:13 PM HUM-200 - Page 2.3.3 - Stravinsky and Vivaldi https://www.webtexts.com/courses/45794-olearyrockey/traditional_book/chapters/4868284-module-two-introduction-to-the-humanities-continued/pa … 12/14 00:0 0 .0 -0 3:2 8 Vivaldi: “La Primavera” The first movement of Concerto no. 1, “La Primavera,” from The Four Seasons by Antonio Vivaldi. For a detailed description of the music, follow the transcript link below. R ea d T ex t T ra n sc rip t Havi ng t ro ub le ? T ry our alt e rn ate p la ye r . Analy si s Tim bre RES PO NSE B O AR D W hat in st ru m en ts are p re se nt, a n d w hat in st ru m en ts (t h at a re t yp ic ally in a n o rc h est ra ) a re m issi ng f r o m t h is en se mble ? P it c h SH O RT-A N SW ER Q UES TIO N P it c h is an im porta n t e le m en t V iva ld i u se s to r e cre ate t h e p oem in m usi c. H ow d oes he u se p it c h t o sh ow t h e b ir d c alls ve rsu s th e t h und er?

N o r e sp onse sa ved ye t. Listen 9/15/21, 3:13 PM HUM-200 - Page 2.3.3 - Stravinsky and Vivaldi https://www.webtexts.com/courses/45794-olearyrockey/traditional_book/chapters/4868284-module-two-introduction-to-the-humanities-continued/pa … 13/14 Rhyth m SH O RT-A N SW ER Q UES TIO N C ontr a st t h e r h yt hm u se d in t h e se ctio n t h at sh ow s “b ro oks” a n d “ g en tle b re eze s” w it h t h e rh yt hm u se d in t h e “ th und erst orm ” s e ctio n. H ow a re t h ey dif f e re n t? D yn am ic s SH O RT-A N SW ER Q UES TIO N H ow d o t h e d yn am ic s ch an g e in e ach se ctio n t o r e fle ct t h e p oem ? S ta rt b y co nsi derin g w hic h se ctio n is th e lo ud est a n d w hic h is th e so ft e st . Fo rm T he w ork a lt e rn ate s b etw een t h e f u ll o rc h estr a a n d t h e s o lo is t. E ach t im e t h e s o lo is t is f e a tu re d , t h at p ers o n p la ys a d if fe re n t m elo d y t h at r e fle cts t h e s c e n e d esc rib ed in e a ch N o r e sp onse sa ved ye t.

N o r e sp onse sa ved ye t.

T he t h und erst orm is th e lo ud est se ctio n, a n d t h e g en tle b re eze s are t h e so ft e st .

Post ed 1 d ay ag o.

R efe re n ce A nsw er The loudest section is the “thunderstorm.” Answers may vary for the softest section, but acceptable answers include the bird calls, or the “brooks” and “gentle breezes” sections. Listen