I attached files 3 are of instructions of writing pitch and 1 is of screenplay from which you have to write pitch

PITCHING your SCREENPLAY : Key Points To Focus On A good Rule of Thumb when pre paring your Pitch – it should be : - 80% Content - 20% context Here are the Key Points to consider and uElize : 1) TIME CONSTRAINT MenEon your Eme constraint near the beginning; it will suggest an urgency and a consideraEon towards your listener’s needs; the listener will ALWAYS be wondering how lo ng it will take 2) METAPHORS Use but do not overuse Metaphors. Once good metaphor in your pitch will help seal the deal. Consider the impact a good metaphor had on one of MarEn Luther King J r ’s famous speeches … “In a sense we’ve come to our na1on’s capital to cash a check … It is obvious today that America has defaulted on this promissory note insofar as her ci1zens of color are concerned. ” 3) RHYTHMIC REPETITION Steve Jobs used this to great success RR d oes not to be alliteraEon Use ONE phrase in a pitch under 5 minutes, and repeat it 3 - 4 Emes for maximum success Make it sound spontaneous You want peo ple to walk away repeaE ng them a[er listening to y ou 4) R HYTHMIC T RANSPORT Your pitch needs fact s , but more so it needs arcs and conﬂicts , like in a mini story ; this will be more a]racEve and magneEc to the listener Include Buzzwords and sound bytes ; these are popular because they can be repeated with li]le confusion and diﬃculty 5) RESONATION QUESTIONS Talk TO people, not AT them Ask resonaEng quesEons, and LISTEN to the answers Use the ‘Have you ever’ technique Be speciﬁc and n onpgeneric Allow them to expand on their answers 6) PURPOSEFUL PING QUESTIONS Send oﬀ a small bit of info and see if they respond with a small aﬃrmaEve: - What do you think about this? - How would you react? A sk a ﬁll - in - the - blank quesEon to keep them thoughful and engaged 7) COMMIT QUESTIONS O nce you’ve sent out some ‘ ping ’ words and quesEons , ask them to explain something further, and they will most likely commit to answering : - “ why is this fair ” or - “ what makes you say that it’s fair?” 8) TEST CLOSING QUESTIONS ABC - Always Be testClosing ; tesEng the waters, deducing when and how is the best way and Eme to close the deal Ask quesEon s that tell you where the clien t is on the buying spectrum Do not be afraid to memorize parts of your pitch OR read oﬀ cue c ards. What ’ s important is that you communicate with your listeners , make them feel special , listened to … d o what you must to make that happen. Hav e a clock or stop watch hand y t o track your Eming – something you can glance at. BUT – if you feel you ’ ve got the Eming down, go by memory ; it ’ s a lot more impressive. Whatever you do, DON ’ T SET AN ALAR M. Lastly, have fun. Show th em what you ’ ve got. Be conﬁdent in yourself, and your script.