Film Homework Answers & Questions

• Research Paper: 8 pages in length. This paper will count for 30% if your grade. Late papers will be penalized 2/3 of a letter grade per day. These papers will be analytical/research essays in which

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• Film Analysis Paper: 8 pages in length. This paper will count for 30% of your grade. Late papers will be penalized 2/3 of a letter grade per day. ​​ For this paper, choose one of the following five fi

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• https://www.mediafire.com/file/x4awnxqwj73ls7p/Project.docx/file

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• COMPARATIVE ESSAY I need you to write a comparative analysis of two or more Canadian plays (I have attached both the play files in the question). Remember to carefully edit your writing for clarity an

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• You are to write an essay of at least 500 words, max 550 ( 1.5-3 pages double spaced), that compares two films from the second half of the course in response to a provided topic. You do NOT get to cho

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• Please type your answers to both parts of the exam in a SINGLE WORD DOCUMENT (doc or docx file) and please DOUBLE-SPACE and use size 12 font! Please also clearly NUMBER your answers (MLA FORMAT). Eac

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• https://www.mediafire.com/file/dqt6t81c7abq4gy/Modern_Age_of_Musical_Theatre.docx/file

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• After watching the documentary episode and listening to a musical soundtrack from the Golden Age of Musical Theatre Answer these questions on the discussion board by Friday. Don't forget to respond to

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• Play name: The Law of Gravity by Olivier Sylvestre PART 1:In short paragraphs and in your own words, answer each of the following questions. 1. Offer a detailed description of the setting for The Law

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• PART 1: In short paragraphs and in your own words, answer each of the following questions. 1. Offer a detailed description of the setting for The Law of Gravity. In other words, describe what you kno

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• PLAY:The Law of Gravity by Olivier Sylvestre PART 1: In short paragraphs and in your own words, answer each of the following questions. 1. Offer a detailed description of the setting for The Law of Gr

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• PLAY:The Law of Gravity By Olivier Sylvestre PART 1: In short paragraphs and in your own words, answer each of the following questions. 1. Offer a detailed description of the setting for The Law of G

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• PLAY: The Law of Gravity by Olivier Sylvestre (Playwrights Canada 2021 PART 1: In short paragraphs and in your own words, answer each of the following questions. 1. Offer a detailed description of the

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• Write a paragraph using the prompt below. Of the three forms of theatre you learned about this week, which would you be curious to learn more about? Why did you choose that form of theatre? Would you

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• v\:* {behavior:url(#default#VML);} o\:* {behavior:url(#default#VML);} w\:* {behavior:url(#default#VML);} .shape {behavior:url(#default#VML);} Normal 0 false false } Write a paragraph using the prompt

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• According to Jim Leach, “the device that most overtly breaks the narrative flow” in Double Happiness is “direct address to the camera” (128). For this essay topic, argue why Mina Shum would use this d

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• According to Jim Leach, “the device that most overtly breaks the narrative flow” in Double Happiness is “direct address to the camera” (128). For this essay topic, argue why Mina Shum would use this d

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• Write a response to the question: do you agree or disagree with the argument Stephen King makes in "Why We Crave Horror Movies" ? Provide support for your position with a minimum of 250 words.

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• Play- Kamloopa by Kim Senklip Harvey PART 1:In short paragraphs and in your own words, answer each of the following questions. 1. Share your thoughts on the process for creating Kamloopa as described

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• Play- Kamloopa by Kim Senklip Harvey PART 1: In short paragraphs and in your own words, answer each of the following questions. 1. Share your thoughts on the process for creating Kamloopa as describ

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• Three reply needed for the below posts. Social Justice Theatre Proposal Blake The problem I am wishing to address through performance is the issue of potholes on the streets. Due to the heavy w

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• Hi Please , see the attached

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• Play name: Reckoning by Tara Beagan and Andy Moro Based on your independent reading of Reckoning, answer the following in your own words. 1. Share something included in the notes re. Cast and Settin

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• Content warning: To quote the authors of Reckoning, this work “addresses graphically violent historical and sexual content.” In performance, the creators advise that “support workers and traditional

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• Mid-term Take-home Test - March 2022 General Instructions: 1) This Test is wo

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• Citizen Kane (1941) arguably holds the title as the most important piece of cinema ever. While that may or may not be your opinion, write a response essay that acknowledges why history considers this

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• Students are asked to read both the play, She Mami Wata & The Pussy Witchhunt, and the accompanying interview with writer-performer d’bi.young anitafrika. Both are included in the same scanned pdf

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• Students are asked to read both the play, She Mami Wata & The Pussy Witchhunt, and the accompanying interview with writer-performer d’bi.young anitafrika. Both are included in the same scanned p

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• Make one ONLY work cited page in MLA STYLE of below links and attached document {SO CITE TOTAL 4 SOURCES WHICH ARE PROVIDED} work cited page example attached kindly check it if you have any confusion

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• Create ONLY work cited page in MLA STYLE of below links and attached document {SO CITE TOTAL 4 SOURCES WHICH ARE PROVIDED} https://www.youtube.com/watch?v=aFmbIO_JTH0&t=12s https://www.primevideo.

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• Hi please the attached below .

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• Please note: It is advised, in this case, that you begin by reading Jenn Stephenson’s brief introduction, “BIOBOXES: Artifacting Human Experience,” as well as the Production Note. These will provide

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• In short paragraphs and in your own words, answer each of the following questions. 1. Which was your favourite playlet (i.e. your favourite biobox)? Why? Support your answer with specific details f

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• Please note: It is advised, in this case, that you begin by reading Jenn Stephenson’s brief introduction, “BIOBOXES: Artifacting Human Experience,” as well as the Production Note. These will provide

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• Hi Please, see the attached This week you'll choose a play. Fill out a play analysis google doc.

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• you are to write an essay of 500-750 words that analyzes The Weeknd: False Alarm (2016) music video by Ilya Naishuller: LINK BELOW https://www.youtube.com/watch?v=CW5oGRx9CLM&t=30s IMPORTANT -

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• you are to write an essay of 500-750 words that analyzes The Weeknd: False Alarm (2016) music video by Ilya Naishuller: LINK BELOW https://www.youtube.com/watch?v=CW5oGRx9CLM&t=30s IMPORTANT -

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• you are to write an essay of 500-750 words that analyzes The Weeknd: False Alarm (2016) music video by Ilya Naishuller: LINK BELOW https://www.youtube.com/watch?v=CW5oGRx9CLM&t=30s IMPORTANT -

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• you are to write an essay of 500-750 words that analyzes The Weeknd: False Alarm (2016) music video by Ilya Naishuller: LINK BELOW https://www.youtube.com/watch?v=CW5oGRx9CLM&t=30s IMPORTANT -

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• After reading both Djanet Sears’ Harlem Duet and Sears’ essay “nOTES oF a cOLOURED gIRL: 32 sHORT rEASONS wHY i wRITE fOR tHE tHEATRE” (found separately under ReserveReadings on Nexus), answer each of

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• After reading both Djanet Sears’ Harlem Duet and Sears’ essay “nOTES oF a cOLOURED gIRL: 32 sHORT rEASONS wHY i wRITE fOR tHE tHEATRE”, answer each of the following questions in formal, written paragr

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• Hi please, See the attached

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• In short paragraphs and in your own words, answer each of the following questions. 1. Imagine yourself sitting in the front row at a performance of Fronteras Americanas. Choose a specific moment in

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• In short paragraphs and in your own words, answer each of the following questions. 1. Imagine yourself sitting in the front row at a performance of Fronteras Americanas. Choose a specific moment in t

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• In short paragraphs and in your own words, answer each of the following questions. 1. Imagine yourself sitting in the front row at a performance of Fronteras Americanas. Choose a specific moment in t

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• In short paragraphs and in your own words, answer each of the following questions. 1. Imagine yourself sitting in the front row at a performance of Fronteras Americanas. Choose a specific moment in t

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• In short paragraphs and in your own words, answer each of the following questions. 1. Imagine yourself sitting in the front row at a performance of Fronteras Americanas. Choose a specific moment in t

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• PART 1: In short paragraphs and in your own words, answer each of the following questions. 1. Imagine yourself sitting in the front row at a performance of Fronteras Americanas. Choose a specific mo

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• PART 1: In short paragraphs and in your own words, answer each of the following questions. 1. Imagine yourself sitting in the front row at a performance of Fronteras Americanas. Choose a specific m

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• MODULE 3: 1920s Hollywood The Roaring Twenties: A transformative decade everywhere, especially in Hollywood! Module 3 takes a look at what was happening in Hollywood – slapstick comedy, race films, sc

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