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QUESTION

According to Jim Leach, “the device that most overtly breaks the narrative flow” in Double Happiness is “direct address to the camera” (128). For this essay topic, argue why Mina Shum would use this d

According to Jim Leach, “the device that most overtly breaks the narrative flow” in Double Happiness is “direct address to the camera” (128). For this essay topic, argue why Mina Shum would use this device for this film. You must support your argument with at least two reasons, and Jim Begin by implementing the feedback I provided on your essay proposal. 

This essay will expand on the argument presented in your thesis statement. You must present evidence and examples from the film and course reading identified by your chosen topic to illustrate and support your argument; you may also use any other permitted course materials listed on your essay proposal's Works Cited page to support your argument. 

Organize your ideas into paragraphs:

  • an introduction (including your thesis statement)
  • 2-3 body paragraphs
  • a conclusion for this assignment your essay proposal, into a full essay of 1000-1200 words.

Proper use of “quotation marks” and in-text citations (including time ranges) following MLA style links to an external site. are required, as well as a Works Cited page (fix any mistakes I pointed out in Assignment #2). 

Leach's book chapter, "Possible Worlds: Diasporic Cinema in Canada." 

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**** that gives * ****** "insider's" viewpoint ** **** *** artistic *** moral fronts *** it ** * ******** *** everyone *** appreciates **** ****** ****** ******* ********** ****** **** their ********* ** ******* expectations and ************** ***** they *** **** ***** ****** (G *** ***** **** *** **** date ***** ***** *** ***** ** ***** ****** ** *** ***** ******* Lisa ****** **** friend **** **** **** ** ******** her ******* ***** Mark **** she ***** ** marry ******* *** **** Jade as * **** ** **** ** an ***** girl *** ******* ***** English in ***** to ******* Mark who ** captivated by *** *********** ** ******* ******* ** 24) Masquerade and *** ******** ways ** ***** ***** ************* ******** **** their counterparts **** *** opposing ****** ***** ** the city ***** them *** together "assimilation *** ********** ** the ******** ****** order" ** ****** ultimate aim ******* *********** ** *** own ****** ** ****** **** ********** of *** ****** *** ****** **** is ********** ** *** **** ** the ******* ************* **** **** ********* ** the actor "I embrace ** ascribed ****** *** ****** identity in ***** to ********* **** position" ***** **** *** ***** ***** which ** seen exclusively **** the inside *** ******* an ******* *** of customary ********* ****** ***** the film's ********* ********* *** ************* by * variety ** characteristics that *********** *** **** from other ***** ** *** ******* ***** ****** language)Work ********** Jim Film in Canada ******** ****** University Press **** ** ********** * ****** *** ******** city: ****** * ****** ** urbanity ** Canadian cinema CineAction ************ * ****** CHAPTER ******** ********* AND ECOPHILOSOPHY IN ****** ********** ********** *** Culture ** *** ************ ***

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