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Hi how are you?I donot have any musical background so I need helpI am willing to pay your work!!plz help me!!we have one week!The paper will be a short essay (3-4 double-spaced pages) that will require some preliminary reading and a second viewing (on your own time) of the film The Immortal Beloved that we watched together at the beginning of this semester. It is important that your essay represent your own work and your own ideas. You may wish to quote short passages from your reading, or to paraphrase the author's idea, but you must in both cases give proper credit by using a footnote. This instruction also applies to material that you have read on the Internet, if you decide to supplement the assigned reading with any research on the Internet. Your essay should also include a bibliography of works that you have consulted in the writing of your essay. Preliminary research for the paper             A. Before you watch the film again, you will need to read the following chapters from Maynard Solomon's Beethoven (Second, Revised Edition) (New York, Schirmer Trade Books, 1998). All of these chapters are available in the folder posted under Documents on the Blackboard site.              B. In addition, before you watch the film again, you should re-read the                                                1) "Chronology 1770-1827" and                          2) the list of Beethoven's music used in the film, both of which are posted on the Blackboard site. (In the meantime, we have studied most of the works used on the sound track for the film, so the music will be much more familiar to you than it was when you first saw the film).  https://www.amazon.com/Immortal-Beloved-Gary-Oldman/dp/B0027ZA80S/ref=sr_1_1?ie=UTF8&qid=1478822999&sr=8-1&keywords=immortal+beloved  Topic of the paper The assignment for your essay is to write a review of the film The Immortal Beloved. Your review should focus on issues of historical accuracy. Most of the characters in the film are drawn from Beethoven's life, but for dramatic reasons the film takes some liberties in the interpretation of biographical details. A central concern of the film is the gradual revelation of the identity of the "immortal beloved." In the film, Anton Schindler tries to determine who she is by interviewing the Countess Giulietta Guicciardi, the Countess Marie Erdödy, and Johanna van Beethoven, the widow of Beethoven's brother Caspar Karl. How does the conclusion of the film differ from Maynard Solomon's findings? What might be the dramatic reasons for the solutions of the film? You should also comment on the use of Beethoven's music in the film (on the sound track). Are the compositions played during the film appropriate for the time periods in Beethoven's life that the film portrays? For example, is the use of the "Pathétique" Sonata appropriate for the time period in which the events depicted took place? Finally, comment upon your own personal reactions to the film: did it help you to understand Beethoven as a man and artist in the age in which he lived?            In your review, you should focus particularly on problems of historical accuracy. If you do your readings in Solomon first, before watching the movie again, I think these issues will be immediately obvious.

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