Hi, I am looking for someone to write an article on commentary on regeneration Paper must be at least 1250 words. Please, no plagiarized work!

Hi, I am looking for someone to write an article on commentary on regeneration Paper must be at least 1250 words. Please, no plagiarized work! With regard to the performance design of my composition, I have embraced the use of an aleatory technique in which random procedures are employed in the generation of the composition of the piece. For example, I have used a pattern of boxes each of which appears with a specific group of notes allowing the performers to repeat the notes in specific timing. The boxes have however been divided into two categories with first category consisting of harmonic intervals and chords (bars 12, 13, 31f) while the second category is made up of different melodic lines, chords or harmonic intervals as in the case of bars 28, 31c-31e. These boxes are then repeated aleatorically.

On the other hand, the other important characteristics of my spatial composition in my second piece “regeneration” include the use of strict rhythmical writing of the first group (violin and cello) combined with the liberated rhythmic pitches of the piano to create an intensity which eventually culminates at bar 45 up to bar 52.

Generally, the use of random procedures to produce a determinate fixed score during composition is a popular 20th-century style that has been widely adopted by a number of artists such as John Cage and Pierre Boulez. For example, according to Joe and Song (268), John Cage particularly used the prescriptions in the ancient Chinese book known as the 1-Ching to arrive at the random values of various elements of his compositional score in the piece known as “Music of changes”. John Cage used the ancient Chinese book to help him produce a chance with discipline throughout his composition.

Cages notation particularly presented a new concept of musical time whereby the performers were placed in a new relation to the musical score. Apart from charts of pitches and multiple sonorities, Cage also prepared charts containing specifications for durations, dynamics, tempos and textual densities of his composition.