Hi, I need help with essay on Medea. Paper must be at least 750 words. Please, no plagiarized work!In this scenario, character is defined as the mental as well as ethical makings disntictive to an ind

Hi, I need help with essay on Medea. Paper must be at least 750 words. Please, no plagiarized work!

In this scenario, character is defined as the mental as well as ethical makings disntictive to an individual. In the Euripides tragedy, Dyson (p. 1) sees Medea as a protagonist and majestic as she was once once sympathetic, daring and morally offensive. This is because we see her being forcefully cast by the playwright in the mold of the tragic hero as the power of her anger as well as will stimulates approbation and wonder. As an outcast Dyson (p. 1) tell us that she further draws from the audience an natural sympathy. Again, we find that Medea was so violent. This is because she decided to kill her sons simply to gain revenge on their father. This should not have happened because as a mother, the children deserve parental love from and therefore she ought to have not done this mistake of killing the sons (Dyson p. 5). Bakogianni (p. 55) states that beyond contradictions such as the death of the sons of Medea, her moral confusion is very ironical by the fact that in her delusion, she feels that her gaps into normal human sensitivity towards the ones she loved which are particularly base. She however renews her criminal reappearance as a saneness or even proper conduct. Again, Parker, Rozsika, and Griselda (p. 41) add that the chorus seems to tell men to deal with women. Had men had power to sing their own song, make their own poetry and choose their own destinies, they would deal with good, robust and exemplary heroines. We also find that William Arrowsmith, just after admitting the Euripides criticizes Attic society of his time, he goes along to warn his audience against considering Euripides a feminist. She tries to beat men at their own game through warfareon one side and feeding stereotype of the woman as either intrinsically frail. She then shifts from one stereotype to the other and use them to her own advantage (Parker, Rozsika, and Griselda Pollock p. 40). Generally, Medea the great negator, murderess, annihilator and above all the ultimate exile, is said to be the creator of the new order. Out of everything that happenened around her, her human as well as female nature mutated and turned to a enormous accomplished of most odious crimes, she is capable of reinstating her completeness. The play here can be viewed as a feminist. This is because in no other play does Euripides potray a woman who completely undermines feminine norms and then overcomes masculine bonds. To be sure, Medea is not featured solely in Euripides, but being that his depiction of Medea was highly influential as well as replicated to some extent, the Medea viewed as a figure of feminine power in modernity is atleast in part dependent on Euripides. When the chorus first come into the dialogue, Medea get several cries from within the house. The cries are prudently crafted at the authorial level to reinforce the picture of Medea as an obedient wife emotionally distraught because she did everything to help the husband but was rejected. “Skillfully contrieved is the choral passage in which we first hear the agonized voice of Medea. If we had been prepared to see a woman of a monstrous power as well as witchery, a being of preternatural desire and resource, we are cuckolded….The first cry from Medea, we should recall, is the longing to kill herself” (Musurillo p. 54). Her cry gives no plans, no invenctive against her Jason, no curses or even any annoyance.