I need help creating a thesis and an outline on Romantic Opera and Musical Theater to Mid 19th Century. Prepare this assignment according to the guidelines found in the APA Style Guide. An abstract is

I need help creating a thesis and an outline on Romantic Opera and Musical Theater to Mid 19th Century. Prepare this assignment according to the guidelines found in the APA Style Guide. An abstract is required. Composers borrowed ideas across national boundaries following the current trends. Composers focused on the political situation and composed stories of romance and deception to provide great entertainment for the audience (Bianconi & Pestelli, 2005).

After the French revolution came the rise of Paris as the operatic capital of Europe. Gluck and his followers gained popularity following Napoleon's defeat in Waterloo. Most of the citizens who had fled returned to Paris and the musical life of the nation prospered. There was building and restoring of opera houses with the building of new theatres. indeed, in Paris, we can still find the refurbished Palais Garnier. The growth of the French opera in the nineteenth century was rampant and it led to the opening of more operas in the wider Europe. Nevertheless, operas in France were grand and provided entertainment for the elite and middle class (Taruskin, 2009).

Composers of operas varied subjects and settings widely during the nineteenth century, from grand historic epic to folk tales and plots of strong political overtones to stories centered on private emotions. The grand opera received a lot of attention in Paris, but the opera comiques popularity grew even more. The distinguishing feature of the opera comique was its use of spoken dialogue rather than sing recitative. The plots and music tended to be simpler than in grand opera. The grand plots were mainly focused on the many issues that afflicted the citizens in more satirical and humorous ways. Using music to support political affiliations was one of the ways that opera became popular through such topics (Boyd, 2005).

In Italy, opera was virtually the only important musical form being cultivated. The distinction between opera seria and opera buffa was still maintained although they were influenced by grand opera. The orchestra during this time began to play a more important and colorful role.