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I will pay for the following article Comparison of Chaplin and Keaton. The work is to be 6 pages with three to five sources, with in-text citations and a reference page.
I will pay for the following article Comparison of Chaplin and Keaton. The work is to be 6 pages with three to five sources, with in-text citations and a reference page. In that context, Buster Keaton and Charlie Chaplin happened to be two comedians who are considered to be the most important stars that ruled and shaped the silent cinema. Both these stars owed much of their popularity to their peculiar and trademark comic style and persona. In fact, the specific comic styles of these two stars happened to be so effective that they played a major role in directing and shaping the narratives, in the films they acted (Oldham 6). Both these stars well understood the strengths and limitations of the silent cinema they dominated (Oldham 6). Perhaps that is why they did make it a point to contrive a comic persona that allowed them to make the best of the cinematic genre they ruled. Still, what makes the contemporary viewers adore these two comic geniuses is the fact that both of them happened to be opposites when one considers their comic technique and approach. This gets amply evident in the two movies, Steamboat Bill, Jr, and City Lights, starring Buster Keaton and Chaplin.
Many critics of silent cinema do believe that for any comedian acting in a silent movie, one’s face happened to one’s most important asset. In that sense, it is but evident that both Buster Keaton and Charlie Chaplin were aware of this reality. Not only were they aware of it, but they did use their face to accentuate and highlight their typical comic persona. However, the way these two comedians exploited their facial expressions happened to be totally contrary. In the movie Steamboat Bill, Jr, the viewers simply cannot miss the way Buster Keaton relies on his deadpan facial expressions, and emotionless visage to define his comic appeal. For instance, at the very start of the movie, Buster Keaton presents a total contrast to his big and stodgy father, Steamboat Bill, not .merely by his small physique, but also by his ludicrously flat facial expressions. The viewers simply cannot miss laughing at the comic contrast marking the father and the son. Large Steamboat Bill, bearing an irritable face when placed against puny and clown-like Buster Keaton, betraying a non-serious personality through a flat face and fixed eyes do give way to much laughter. It is a fact that throughout the movie, Buster Keaton carries on with his deadpan expressions that evoke laughter not through abundance, but rather through a calculated withholding of emotions. In contrast, when one observes the comic style of Charlie Chaplin in City Lights, one does come across much facial versatility and variety. .
