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I will pay for the following essay Commentary music anlisis of chapter 2. The essay is to be 12 pages with three to five sources, with in-text citations and a reference page.m during the performance o
I will pay for the following essay Commentary music anlisis of chapter 2. The essay is to be 12 pages with three to five sources, with in-text citations and a reference page.
m during the performance of a number of parameters of the composition including the pitch, form, durations and notes of the particular pieces (Salzman, 161).
Mobile or open form chance music its roots in the works of previous influential artists like Roman Haubenstock-Ramati who compost a series of polyvalent musical pieces such as his famous piece known as Interpolation in the year 1958. Another good example of the use of mobile form musical composition was seen In Terry Riley’s 1964 composition titled In C which consisted of 53 short sequences allowing each member of the performers to repeat the sequence as much as they liked before proceeding to the next sequence. With a fixed pulsing rhythm, the details of each of the performance in the piece “In C” was however unique and the overall course was fixed.
Composed for 4 clarinets in Bb, I was particularly influenced by the fact from my piece “Regeneration” that in the end of the piece the performer has to choose between the 2 endings. I have used a number of “mobile form” chance musical compositional techniques to ensure that the order of the sections and movements in the composition is indeterminate and left to be decided by the performers. Open form in the musical composition is normally vividly used in composition in relation to its mobile nature which involves the nature of movement in this musical composition which is either indeterminate or left in the court of the performer.
As evidenced in my composition“Ordinatio”, the concept of open form chance music as used in the 20th century is often associated with giving freedom of choice regarding the movements of the composition and the order of sections to the performers. In this regard, the input of the composer is significantly reduced to merely preparing the elements that are needed to b assembled during the musical performance.
I was Inspired from the earlier open and closed chance musical pieces such as Klavierstücke (Stockhausen) and
