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In “Digging,” by Seamus Heaney, and “For Saundra,” by Nikki Giovani, the poets seem to reach the opposite conclusion: Heaney decides to write, but Giovani wonders about not writing. How does the speak
In “Digging,” by Seamus Heaney, and “For Saundra,” by Nikki Giovani, the poets seem to reach the opposite conclusion: Heaney decides to write, but Giovani wonders about not writing. How does the speaker of each poem arrive at his/her conclusion, and which conclusion do you find more persuasive?
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