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Listen to Benjamin Britten's A Young Person's Guide to the Orchestra, p. 65 in the text. In this music the tone color or timbre of the instruments is...
Listen to Benjamin Britten’s A Young Person’s Guide to the Orchestra, p. 65 in the text.
In this music the tone color or timbre of the instruments is very important. What is the overall plan the composer uses to organize these timbres over the entire duration of this music? They’re not just random choices of instruments.
Are there instances where this kind of attention to timbre is found in popular music also?