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*********** ***************** ******************** ******* ******** is ******** by scholars as *** oldest ** the ****** ****** **** Luke ** * source **** writing *** ****** ****** ** **** ** make ****** ******* *** alterations ** ******** ******* ********* ****** alters *** ***** ** ****** ******** *** representation ** ********** *** expands the ********* ** presented in **** ********* *** Barton *** ****** ***** ** **** ****** **** ** present * **** ******** *** ************ account **** verses in *** Mathew and **** ****** ******* *** instances of ********** editingWhen *********** **** ******* *** ****** 14:25-27 32-33 ** ** ***** **** ****** ****** ******** **** ** *** ***** passages ****** ******* ******** ******* and skips ** *** ******* ** the *** **** ****** ***** ** ******** *** lengthy *********** of ***** ****** to **** to *** Fourth ***** before ******* ** *** sea ** explained ** Mark Mark explains that ***** *** ****** ******* the ********* ****** **** cried out *** ******** **** ** *** a ***** ** *** ***** hand ****** **** ****** ** *** ***** by ******** *** ********* shouted ***** ** a ghost’ *** ******** **** ***** **** the ********* to avert ***** ***** ** similar ** **** ***** **** ***** **** *** of *** author’s lifted the **** ** *** ***** *** ******* of ****** ********* to **** similarity ** *** ***** where Mathew ********** ***** ** *** narration and ******* **** ***** tried ** walk on ***** like ***** *** content ** the verses ** **** ******* ****** ** **** ** **** the **** ******* in ****** ***** ** Mark’s ********* ******* **** *** ******** **** Jesus gives ** the disciples once He is ******* ** **** ******* *** ***** **** ** achieved ** ****** ****** *** ******* ******** from MarkAnother ******** ** Mathew’s ******* ******* in ********* **** ****** ** ******* 17:1-13 At *** ***** of *** ******* the **** ********** **** ** **** is ** the *********** ******* ** *** ******* (Bible ****** 17:1-2 **** ** **** *** ******* ** **** similar *** the direction ** the narration ** *** **** to the ***** where *** ***** from *** ***** ** ***** ** that point ********** editing ***** to play **** **** that *** ********* ****** back *** **** **** ****** back Elijah *** ***** were **** ****** ******** * different ********* **** the disciples ***** **** ******* *** ***** in *** ****** ***** that *** ************ ******* *** ********* *** ***** *** ****** **** ******** ** ** ***** that ****** ****** ** ******** ********* ** is impossible to ***** **** **** ****** ********** work ***** ***** *** ** critical diversions ** ******** ******** ******** ********* ** ******* *** similar to that of ****** in all ************ ********** version is ****** and provides ********** *** *********** ** **** ******** by Mark (Muddiman and ****** 56) ****** ******** ******** ****** ** *********** *** *********** **** builds ** ******** ****** ******* ** *********** ********** **** James Version *** **** James ******* ****** Gateway" Accessed ******** ** (2018)Martin **** B *** ********* ******* and ********** **** ********** Press 2012p 106-108Muddiman **** and **** ****** *** *** ******* ****** ********** ***** *******

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