Provide a 2 pages analysis while answering the following question: Evaluation argument. Prepare this assignment according to the guidelines found in the APA Style Guide. An abstract is required.

Provide a 2 pages analysis while answering the following question: Evaluation argument. Prepare this assignment according to the guidelines found in the APA Style Guide. An abstract is required. Critical evaluation of Scarface Scarface, a Brian De Palma’s up a 1930s ical film originally done by Howard Hawks, is regarded as among the most provocative and classy yet serious movie of all times. Written by Oliver Stone, many have considered it as a blessing for the eyes of anyone who has viewed the movie. The movie has been often compared to the likes of The Godfather owing to their close resemblance in terms of the main storyline underlying the two movies, in which they are about the immigrant experience and a charismatic figure from the underclass trying to employ any means within their disposal to attain the American dream. However, the pathway to the dream becomes a nightmare.

One of the aspects that make the movie rather exceptional is emanates from the storyline. Starring Al Pacino as Tony Montana, the movie contains not even a slight scrap of anything that can be mistaken for over-romanticizing, which the movie further scorn devoid of any mercy. As long as it is, it mainly demonstrates the impact of a single gasping story about the rapid rise and fall of a young lad in a cocaine industry. Unlike the original version of the movie that was rather emotional, Scarface presents a persistently vicious, ironic account of greed in which all the emotions that one is supposed to deem decent, are brought out in a manner that can be misrepresented.

The movie is also remarkable in its casting especially in terms of the role given to Tony Montana who is depicted as intelligent yet hollow-eyed individual who seems to lack a promising future, however, his greediness and ambitions are so intense that they can at the same time be viewed as heroic in magnitude. Although many people may the dispute the cruelty of Tony Montana, this can be regarded as one of the strongest points of the movie in the sense that, after first developing a strong emotional attachment with the viewers, it reaches a point where Tony’s character starts to putrefy. Tony has absolutely no hesitation about taking a life for any profitable course that ironically makes him adored by the Florida drug baron.

Another strong point of the movie can be derived from the fact that unlike other films where the climax is marked by the main character achieving the best out of all possible situations, in Scarface, Tony’s fall marks the high point of the movie. The last quarter of the movie treats the viewers to the scene of a paranoid Tony Montana whose addiction to cocaine has seen him losing control of himself and his business in general. The extent of his lack of control can be seen when he his playing his favorite tune with a large mortifying clump of cocaine on his face.

Watching the movie from a critical viewpoint, one is able to view the inside joke in modern societies where the issue of cocaine is not taken with the horror as is in the film. Similarly, as much as the dominant mood of movie can be regarded as funny at some point, it is also bleak and futile presenting a crash that is horrifying just as vivid and fascinating as it is. Perhaps conquering with the idea that what ascends must always descend. Sprinkled with street level philosophy that is as much a reflection on the American economic and political systems as it is about the drug culture, Scarface depicts the life of Americans. One of the low points of the film is the excess violence depicted almost throughout.

As therefore seen, Scarface is one of the greatest movies of all times due to its unique storyline that combines ambition and greed that finally instills into the viewer that crime pays. Its casting is also well brought out especially through the main character Tony Montana. Its overall interaction with readers is also commendable.

Reference

Anastasia, G., Macnow, G., & Pistone, J. (2011). The Ultimate Book of Gangster Movies:

Featuring the 100 Greatest Gangster Films of All Time. Philadphia: Running Press.