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Provide a 4 pages analysis while answering the following question: Religion, Literature. Prepare this assignment according to the guidelines found in the APA Style Guide. An abstract is required.
Provide a 4 pages analysis while answering the following question: Religion, Literature. Prepare this assignment according to the guidelines found in the APA Style Guide. An abstract is required. However, after Nietzsche had developed an independent mind, their difference grew, as they perceived humanity and life through different perspectives. This paper delves into Nietzsche’s disappointment with Wagner and how his religious views diverged from Nietzsche’s views.
Nietzsche describes Wagner as a musician who is the master than anyone he knows in the discovery of tones that are peculiar to tormented, oppressed, and suffering souls (Darby 56). Wagner could even give a speech to dumb misery. He could be master of everything that was small, but he refused to be this according to Nietzsche. Several other factors made Nietzsche disappointed in Wagner.
The work begins by showing that he and Wagner were opposites (Darby 60). He goes on to state that the book was for psychologists and that all Germans were excluded from those he intended to read his books. This was most likely in reference to Wagner and his roots. Nietzsche then goes on to express his admiration for Wagner and his ability to express both his misery and suffering in his creations of short music. After this, he goes on to take a critical stand on Wagner’s attempt at large work production (Nikos 65).
Nietzsche was also critically disappointed at the physical aspect of Wagner’s music (Nikos 65). He even went on to try to expose Wagner as more of an actor than of a composer. According to him, Wagner’s feet, lungs, heart, throat and intestines were affected uncomfortably. Nietzsche also says he was disappointed to discover that in Wagner’s music existed no pleasing melody or rhythm. Rather, Nietzsche contends, Wagner’s music was merely a way of enhancing gesturing and posing theatrically. Nietzsche also reveals that he wanted and desired profound, wanton, cheerful, roguish, graceful, and tender music. He reserves praise for Chopin, Peter Gast, Liszt and Rossini, and all Venetian music. He, in fact, ends the Intermezzo with his poem, Venice.
