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Provide a 5 pages analysis while answering the following question: The Impact Drugs Caused on Dylan and His Music. Prepare this assignment according to the guidelines found in the APA Style Guide. An
Provide a 5 pages analysis while answering the following question: The Impact Drugs Caused on Dylan and His Music. Prepare this assignment according to the guidelines found in the APA Style Guide. An abstract is required. In the film, Dylan and John Lennon just drove around the city in a taxi and carried all sorts of drug addiction. Later, in an interview with Rolling StoneMagazine magazine, Lennon admitted that they had been sniffing heroin all day and that Dylan was nearly hiding from a drug overdose. The impact drugs caused on Dylan and his music was immense.
 . . . . . . . . . . . The musician is called the "revelation of America," and in this sense, his work is the opposite of the work of pop stars - masters of allegory. Dylan always cut the truth-womb. No, he didn't use "blackmail and porn" as visual means, as was observed, for example, right after perestroika, for example, his songs can also be heard by teenagers. But Dylans said everything as it is. A commitment to the truth is what sets Dylans apart from the rest of the performers. And indeed, this approach to music seems peculiar to this day. Not just drugs needed - why are they? The truth is much cooler. His head is spinning. Robert Allen Zimmerman was born in Duluth, Minnesota, USA. His father traded in hardware, and poetry became Bob's love from an early age. Naturally, Robert was not at all seduced by the future owner of the shop, which his father had predicted for him. Out of protest, 10-year-old Robert Zimmerman ran away from home and hitchhiked to Chicago. By chance on the road, he met an old Negro singer who knew how to play the guitar songs. Then, like in a movie: the boy and the singer made friends, spent three months together, and Robert studied guitar chords from his companion, as Williamson admits. The police, of course, found a minor fugitive and brought him home, but Dylans remained impressed by this life and led Bob to write poetry at home, frankly imitating his beloved poet Thomas at first. Robert will subsequently choose his name as an artistic pseudonym, according to Marqusee.
 . . . . . . . . . . . He also had another hobby: he began to listen to the rhythm and blues when he was driven by the use of the substances, which was broadcast by the local radio. Robert was already bursting with creative ideas inspired by drugs, but so far, he was just learning to express them and watching others do it. The rhythm and blues, although traditionally considered Negro music Zimmerman believed that nothing would stop him from drawing inspiration from this music. At school, Robert assembled the first group, called The Golden Chords (Golden Strings), states Williamson. The group initially played traditional rock and roll, music more for dancing than for listening in a relaxed atmosphere. But group leader Zimmerman quickly realized that rock and roll in its purest form were not for him, he was not interested in him. True, Bob was still young and shy. these character traits prevented him from the stage, according to Marqusee.
 . . . . . . . . . . . At the age of 19, he went on another trip to America, again hitchhiking and using drugs. He again spent the evenings in the company by the fire, he had a guitar with him, and he was eagerly listened to by young tramps like himself. He spent the night in a sleeping bag in the open air, accumulated impressions, and composed songs inspired by the substances. It turned out that Robert quickly and easily knows how to capture the attention of the audience, not taking into account the drug addiction. Not only that: he wrote good poems. his biting statements were clear to everyone, according to Williamson. In short, like a rock bard, Robert Zimmerman turned out to be a rather bright figure in the musical horizon of the then America. In the early 60s, he arrived in New York, intending to continue his musical career. He called himself no longer Zimmerman, but Dylan, as Marqusee states. In 1962, the album "Bob Dylan" was released with his versions of blues and songs of immigrants, and in 1963 came out and instantly became popular, his album "The Freewheelin Bob Dylan" with the song "Blowin In The Wind" ("Ha Wings of the Wind"), in which he tried to express everything that worried him then including the drug usage. Dylans just sang, in reference to Williamson: "How many eyes do you need to see the tears of others? How many times do you need to look around to notice the trouble next to us?" It can be said that this theme became characteristic of all of the late Dylans.