The aria "S, s ben mio" from Scarlatti's cantata Clori vezzosa, e bella ( NAWM 92b) follows da capo aria form. Give the primary harmonic areas for...

1. The aria "Sì, sì ben mio" from Scarlatti's cantata Clori vezzosa, e bella (NAWM 92b) follows da capo aria form. Give the primary harmonic areas for each of the following sections:
2. A section, opening ritornello (mm. 51-54)
3. A section, first vocal statement (mm. 54-59)
4. A section, middle ritornello (mm. 59-60)
5. A section, second vocal statement (mm. 60-73)
6. B section (mm. 74-87)

How does da capo aria form reflect the form of the text?

1. What characteristics of the overture to Lully's Armide (NAWM 85a) mark it as a French overture?
2. How does the musical setting of Armide's recitative "Enfin il est en ma puissance" (NAWM 85b) reflect the dramatic situation and the emotional conflict Armide is feeling?
3. How was England's musical culture different from France's in the Baroque period? What accounts for that difference?
4. Describe the differences in the function and character of music in Orthodox Lutheran services and Pietist Lutheran services.