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QUESTION

theater,

As an actor, what kind of challenges might the long stories from Joe Turner’s Come and Gone present? What do we learn about the characters from these long stories? How do they relate to the events of the play and the play’s meaning? Support your response with specific examples from the play

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****** ********** *** ****** **** *** **** is * **** ********* ***** African ********* ** search ** their ******** identity following the ********** ** American ******* *** ****** ***** ******** *** dealing with ******** ********* ****** and ***** *** ****** **** *** ****** *** **** ****** him * **** ** ******** *** it **** ******** his ******** ********** *** *** ************* ****** ** his thoughts ************* lack ** *************** *** ***** ****** oneself However being ****** positive ****** and situations ** important ****** *** *** to rediscover their **** which ****** ** able to ********** **** *** **** ** BynumHerald ****** **** *** self ***** ***** enslaved for ***** ***** Periodically ****** ****** ** **** his **** ****** *** his ******** who *** in search for *** **** Martha ***** *** ******** ***** **** ***** *** ******* ***** ********** ****** ** ** ******** * ********* ***** is * border *** ** ***** to *** ***** characters ** ** **** worker/ ******* *** **** ***** as medicine *** **** *** ability ** *** **** *** ***** of ******* **** ** ** ******* **** ****** ***** ** help various ********** throughout *** ****** ** *** ***** ******** ******** ****** ****** is one ** *** *********** ***** ***** **** his ******** ** well ** inner ***** **** ****** lacks Unsure ** the ****** being * slave ** *** Turner ** *** ** **** ********** ********* ****** ** *** ***** of ******* ** ***** ** search of *** wife Martha ****** states "why he *** to catch ** going **** the road ** ** ********* ** **** me * *** ********* ********* ** ********* you throw away ********* *** ******* ****** **** * ***** *** *** throw ** **** ******** even let ** stay **** when I was by my ******** * ***** tried to ***** *** **** ** *** ***** **** the road So * **** got ********* he **** **** * ***** ******* ** *** ****** ** ******** ********* and is ******* *** ****** he ******** *** **** will **** *** find ****** ** states ** isn’t ********* *** ******* ***** **** **** * strong ****** on *** *** *************** play **** ** *** **** and ***************** *** **** ** ** not aware of his **** Psychologically ****** believes ******* *** **** ****** **** give *** a clear ****** of *** ** was and **** accompany him ** ***** *** life once ***** ****** ** ********* **** his **** ****** ** *** ****** to *** ********* In * conversation **** Bynum ******** "That's *** **** ***** * **** ** ** * **** want ** *** *** **** ** I *** *** me * starting ***** ** *** world *** ***** *** ** ***** ********* ****** **** * **** ******* *** I've **** wandering * long **** ** somebody ****** ***** **** * find ** **** that ** *** ****** ** ** **** ******* pg 72) ****** ** in ****** ***** in ****** ** his wife is one way he *** ****** *** ******** ******* *** *** **** ** ***** as an ******* ***** He ** convinced *** wife **** **** him **** *** ***** ** *** world and *** his ******** ***** believed *** **** Bynum ** *** ** the ******** people Loomis comes ** ******* **** ***** being ******** ** *********** **** Loomis ** ** search of *** does *** best ** ****** **** him ******* ** **** *** **** his **** to **** ******* He ******* ********** ********* about ***** ***** **** ** *** ****** ** * ****** *** *** **** ****** never thought ** ****** ***** ******* *** thought ** catching *** ** ***** ***** **** **** Every nigger he ***** he's ******* *** *** *** he can ***** **** **** **** Now he's *** *** ***** up ** ***** you ***** **** **** *** **** ******** **** ** **** ***** ***** ****** *** *** ****** he ***** snatch ** from ***** you *** you ***** got ** *** **** forgot *** ** sing ** ******* ** *** ***** ********** the **** ** *** **** being *** ******** for *** first **** An ********** ******* **** affected ****** ** him ********** ***** rise *** **** **** **** ** *** ocean **** ** ********* ****** in Loomis **** ** says **** **** ** **** place…to **** water **** was ****** than *** whole ***** *** * looked ****** *** * **** ***** bones **** ** *** the water **** ** and begin to **** on *** of it” ******* ** 53) ** ***** realizes *** ***** in *** water ********* *** ********* **** **** ****** ********* while **** **** in the **** situation ** him ****** ** ********** ** ******* **** ******* ** ** an ********* fact **** ***** *** **** getting a ******* ************* ** *** ** is The conversation ******* ***** and ****** ****** Loomis **** self-confidence *** ******** *** *** ******* ** start ********* in *** ** began to say **** ***** ***** **** **** my body * can **** it *** starting ** ******* again *** ***** ******* * *** ** ***** ** * ***** **** you ** **** *** *** breath ****** **** my **** and * *** stand ** *** ground's ******** ** ***** ******* a ***** ******* *** world's ******* half ** *** *** sky's ********* open * *** ** ***** ** My legs… ** **** won't ***** *** Got to ***** ** *** ** ** *** **** ** legs ***** ***** *** ** legs ******* stand **** ******* ************ he *** his conscious and lack of self-confidence get *** **** of *** *** *** *** ***** him ** ********** ***** ******* ** ***** ** ****** *** ***** *** ********* *** **** problem ** also becomes ***** of *** **** **** ********** ******* ** * ****** of ********** *** to **** *** **** *********** Bynum **** **** fellow ****** **** *** he ******* *** ** ** Forget *** he's ******** ** ******** **** ******* ** *** *** once ****** ******* ***** of *** ***** ** *** been ********** ** *** Turner’s **** *** Gone *** **** dance ** * ******** ****** ***** ***** **** ***** ******* ** the boarding ***** perform *** ***** ** is * *** *** *** ********** ** ********* ********** **** ***** past through ***** *** ******* *** ******* spirits ************ *** ******* ********* **** enter the Holly boarding ***** ******* **** **** ****** ** *** ********** ******* ** the Juba ****** however **** *** **** **** of the group *********** ******* **** though he himself ** a *** ***** **** two *** ***** ******* ** his identity ********* **** reveals *** ******** ***** ** Christianity ** the ***** ** former ****** *** *** progeny ** ********* ******** ******** ** **** The ******* ** spirits *** members of *** boarding ***** provides **** **** *** proper ****** of ***** ******* ******* ** they ******** ***** true ******* *** **** in the *********** in slavery *** ** *** ****** cultures ** ****** The **** ****** **** to learn ***** **** identities to ** ** ********** not ********* ****** **** ************ ** transfigured with ******** ****** ***** **** * Christianity ** which **** *** find ***** *** affirmation ** ***** deepest ********** (Shanna ******** ** 163) Loomis ******* is *** of ****** and ******* **** ***** ***** beings This ******* ************ the fact **** ** would *** ** **** ** partake in ** ******** that ***** *** ********** ******** ******* it is at **** time *** **** triggers Loomis’s **** ***** ***** *** ** **** a connection with *** ********** ***** **** uses the *** ****** **** ** Act *** ** **** ****** realize *** ******** ****** ******* **** ** *** ********** **** *** **** **** ***** **** **** ** Joe ******* **** *** **** **** ***** *** ** man and **** Come **** ***** ***** ** ***** **** Lordy Come with ***** ***** ** ***** **** ***** *** my *** *** gone” (Wilson pg 67) ****** ****** **** *** **** ***** ******* *** **** over and **** ***** *********** ***** ***** ****** all ** *** ** ** ** solve his ******** dilemma ** ** sing his **** Still Loomis ******** ** ***** *** wife Martha ** **** himself ** ***** **** ******** *** ********* the **** that ** ** dealing **** * ****** ********** ****** ******* over *** identity ** which ** *** ****** ****** on *** **** *** ***** and ****** on *** other ********* ***** ****** ** the ************ ****** *** ******* ****** ******* *** helps ****** **** **** it one ***** the ***** ******* *** *** ** *** play ****** *** ****** **** **** contact **** *** another ******* *** to ******* *** **** ***** *** **** trying to **** *** ******* *** along ****** ******** it ** *** ****** *** ** ****** ** ****** *** ******* is within himself While ********** with Martha ** says ********* the **** **** ******* ******** ** ** ** chest **** ***** ***** ** **** Now * *** **** **** I *** *** my ******* and make ** *** ******** (Wilson pg *** ** ******* learns ** ***** * ***** for him and ******* ** ** all ******** ******** *** memories he *** **** **** *** In *** of *** **** ************* **** ***** ****** ****** ************* * ** people ***** **** me up *** Turner ***** **** ** up! ******** ******* wanna **** ** ** You wanna **** ** ** **** *** Turner **** and **** *** ****** ****** ain’t *** ** ******* * ******* gonna *** ****** **** ** ****** ******* ** *** ****** ******* has reached the ***** Bynum ****** him to be at He ** confident and understands *** obligation For *** last **** ***** ***** ****** *** **** he ***** ** **** *** man ** *** ****** him *** ***** ** says ***** ******** *** Herald ****** * aint bound you * ***** *** little **** ** *** ****** That’s who * ***** *** ******* ******** *** ***** **** your **** *** you got to ** is ***** up and sing ** ****** Loomis ****** ***** ***** ******* ** **** ****** *** you *** ** do ** **** ** **** *** ** ******* ******* pg *** However ** **** * negative impact ** his ************ **** While conversing **** *** ******** ****** once **** ** Zonia" **** at you Your ******* too fast Your ***** getting bigger every day ***** **** *** ******* ***** ** ********** ***** The time ***** *** ****** ***** **** *** ******* lead Zonia ** **** growing ** is * negative ****** **** wont get ** ******* ** ***** ******* *** ** ******* **** ******** * ******** Take ** **** *** **** ** **** ********* *** never ******* I ******* get ** ******* * *********** ******* ***** Her father’s ***** ******** *** *************** ***** ******* her believe ******* ** ** a *** change *** *** ** *** ***** *** ****** *** **** ** did *** **** ** **** up She ***** she **** not stay *** ****** *** ********* conversing with Martha ****** **** *** **** **** of ******* *** got? **** **** ** clean *** *** ****** *** **** ****** ***** **** *** clean? *** ***** **** blood?” ******* ** *** *********** ****** ** finally **** to **** *** **** ** slashes ******* ****** *** ***** **** * ***** ******** ***** ***** **** *** ***** Rubbing *** blood over his **** ** ***** ** sing ******** standing! ***** standing My **** ***** *** ***** ******* ******* ******* pg *** ****** ** ******* in * ***** ** ***** to ** ** *** a ***** **** and **** *************** he believes *** ***** **** **** all *** negativity ** *** **** ******* ** to *** Loomis ***** ********** *** ********* of * *** lifeIn order to ****** Americanized ** *** **** Emancipation Proclamation ** ******* ****** *** is also **** ** the ********** *** generation ***** ** ***** *** ****** ******* ********** to the ***** *** ** break **** **** *** connection **** Joe ********* act ** ************ can ***** ** a ******* ***** ***** **** ********* *** ************ ** Joe ******** **** *** **** ****** *** connection ******* ******** *** ***************** **** was **** ****** slavery" Bynum ****** **** when a man ******* *** **** and **** off ** ****** ** ** *** song ** usually **** the *** *** the ******* (Shannon ******** pg **** His ***** ****** ** ****** ****** *** ******** song ** self-sufficiency-with him all along **** when he ********** ** ** *** ****** ***** not be **** ** **** ** **** *** ***** *** ****** **** a symbolic relationship ***** also ***** **** Loomis from his own ******** *** ********* He ** ******* *** ****** needed in his **** ****** also ************ *** ***** **** *** be used as * motivating ***** ********** ******* ** self-awareness ********* ******** **** ** positive because ** ** **** ****** ********* by *** coerced ******** ** ***** **** never ******** *** ********** to Africa" ******** ******** ****** ** addition ****** uses *** **** ** ******* ****** ********* *** ***** ********** *** discover *** ** ** * ****** *** his ****** ****** Loomis proves *** **** that positive ****** *** ************ ****** positively in ******* life ****** *********** ****** *** ****** ** lose *** *************** ******** and *************** ******** *** way ** **** *** ********** **** ***** brought ********** and *********** of ****** could ********** **** **** his ********* Cited1Sandra ******* *** **** ******** ****** ****** and Black Aesthetics ***************** *** **** ** 20042August Wilson *** ********** **** *** **** Penguin ***** ********* ****

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