theater,

****** ********** *** ****** **** *** **** is * **** ********* ***** African ********* ** search ** their ******** identity following the ********** ** American ******* *** ****** ***** ******** *** dealing with ******** ********* ****** and ***** *** ****** **** *** ****** *** **** ****** him * **** ** ******** *** it **** ******** his ******** ********** *** *** ************* ****** ** his thoughts ************* lack ** *************** *** ***** ****** oneself However being ****** positive ****** and situations ** important ****** *** *** to rediscover their **** which ****** ** able to ********** **** *** **** ** BynumHerald ****** **** *** self ***** ***** enslaved for ***** ***** Periodically ****** ****** ** **** his **** ****** *** his ******** who *** in search for *** **** Martha ***** *** ******** ***** **** ***** *** ******* ***** ********** ****** ** ** ******** * ********* ***** is * border *** ** ***** to *** ***** characters ** ** **** worker/ ******* *** **** ***** as medicine *** **** *** ability ** *** **** *** ***** of ******* **** ** ** ******* **** ****** ***** ** help various ********** throughout *** ****** ** *** ***** ******** ******** ****** ****** is one ** *** *********** ***** ***** **** his ******** ** well ** inner ***** **** ****** lacks Unsure ** the ****** being * slave ** *** Turner ** *** ** **** ********** ********* ****** ** *** ***** of ******* ** ***** ** search of *** wife Martha ****** states "why he *** to catch ** going **** the road ** ** ********* ** **** me * *** ********* ********* ** ********* you throw away ********* *** ******* ****** **** * ***** *** *** throw ** **** ******** even let ** stay **** when I was by my ******** * ***** tried to ***** *** **** ** *** ***** **** the road So * **** got ********* he **** **** * ***** ******* ** *** ****** ** ******** ********* and is ******* *** ****** he ******** *** **** will **** *** find ****** ** states ** isn’t ********* *** ******* ***** **** **** * strong ****** on *** *** *************** play **** ** *** **** and ***************** *** **** ** ** not aware of his **** Psychologically ****** believes ******* *** **** ****** **** give *** a clear ****** of *** ** was and **** accompany him ** ***** *** life once ***** ****** ** ********* **** his **** ****** ** *** ****** to *** ********* In * conversation **** Bynum ******** "That's *** **** ***** * **** ** ** * **** want ** *** *** **** ** I *** *** me * starting ***** ** *** world *** ***** *** ** ***** ********* ****** **** * **** ******* *** I've **** wandering * long **** ** somebody ****** ***** **** * find ** **** that ** *** ****** ** ** **** ******* pg 72) ****** ** in ****** ***** in ****** ** his wife is one way he *** ****** *** ******** ******* *** *** **** ** ***** as an ******* ***** He ** convinced *** wife **** **** him **** *** ***** ** *** world and *** his ******** ***** believed *** **** Bynum ** *** ** the ******** people Loomis comes ** ******* **** ***** being ******** ** *********** **** Loomis ** ** search of *** does *** best ** ****** **** him ******* ** **** *** **** his **** to **** ******* He ******* ********** ********* about ***** ***** **** ** *** ****** ** * ****** *** *** **** ****** never thought ** ****** ***** ******* *** thought ** catching *** ** ***** ***** **** **** Every nigger he ***** he's ******* *** *** *** he can ***** **** **** **** Now he's *** *** ***** up ** ***** you ***** **** **** *** **** ******** **** ** **** ***** ***** ****** *** *** ****** he ***** snatch ** from ***** you *** you ***** got ** *** **** forgot *** ** sing ** ******* ** *** ***** ********** the **** ** *** **** being *** ******** for *** first **** An ********** ******* **** affected ****** ** him ********** ***** rise *** **** **** **** ** *** ocean **** ** ********* ****** in Loomis **** ** says **** **** ** **** place…to **** water **** was ****** than *** whole ***** *** * looked ****** *** * **** ***** bones **** ** *** the water **** ** and begin to **** on *** of it” ******* ** 53) ** ***** realizes *** ***** in *** water ********* *** ********* **** **** ****** ********* while **** **** in the **** situation ** him ****** ** ********** ** ******* **** ******* ** ** an ********* fact **** ***** *** **** getting a ******* ************* ** *** ** is The conversation ******* ***** and ****** ****** Loomis **** self-confidence *** ******** *** *** ******* ** start ********* in *** ** began to say **** ***** ***** **** **** my body * can **** it *** starting ** ******* again *** ***** ******* * *** ** ***** ** * ***** **** you ** **** *** *** breath ****** **** my **** and * *** stand ** *** ground's ******** ** ***** ******* a ***** ******* *** world's ******* half ** *** *** sky's ********* open * *** ** ***** ** My legs… ** **** won't ***** *** Got to ***** ** *** ** ** *** **** ** legs ***** ***** *** ** legs ******* stand **** ******* ************ he *** his conscious and lack of self-confidence get *** **** of *** *** *** *** ***** him ** ********** ***** ******* ** ***** ** ****** *** ***** *** ********* *** **** problem ** also becomes ***** of *** **** **** ********** ******* ** * ****** of ********** *** to **** *** **** *********** Bynum **** **** fellow ****** **** *** he ******* *** ** ** Forget *** he's ******** ** ******** **** ******* ** *** *** once ****** ******* ***** of *** ***** ** *** been ********** ** *** Turner’s **** *** Gone *** **** dance ** * ******** ****** ***** ***** **** ***** ******* ** the boarding ***** perform *** ***** ** is * *** *** *** ********** ** ********* ********** **** ***** past through ***** *** ******* *** ******* spirits ************ *** ******* ********* **** enter the Holly boarding ***** ******* **** **** ****** ** *** ********** ******* ** the Juba ****** however **** *** **** **** of the group *********** ******* **** though he himself ** a *** ***** **** two *** ***** ******* ** his identity ********* **** reveals *** ******** ***** ** Christianity ** the ***** ** former ****** *** *** progeny ** ********* ******** ******** ** **** The ******* ** spirits *** members of *** boarding ***** provides **** **** *** proper ****** of ***** ******* ******* ** they ******** ***** true ******* *** **** in the *********** in slavery *** ** *** ****** cultures ** ****** The **** ****** **** to learn ***** **** identities to ** ** ********** not ********* ****** **** ************ ** transfigured with ******** ****** ***** **** * Christianity ** which **** *** find ***** *** affirmation ** ***** deepest ********** (Shanna ******** ** 163) Loomis ******* is *** of ****** and ******* **** ***** ***** beings This ******* ************ the fact **** ** would *** ** **** ** partake in ** ******** that ***** *** ********** ******** ******* it is at **** time *** **** triggers Loomis’s **** ***** ***** *** ** **** a connection with *** ********** ***** **** uses the *** ****** **** ** Act *** ** **** ****** realize *** ******** ****** ******* **** ** *** ********** **** *** **** **** ***** **** **** ** Joe ******* **** *** **** **** ***** *** ** man and **** Come **** ***** ***** ** ***** **** Lordy Come with ***** ***** ** ***** **** ***** *** my *** *** gone” (Wilson pg 67) ****** ****** **** *** **** ***** ******* *** **** over and **** ***** *********** ***** ***** ****** all ** *** ** ** ** solve his ******** dilemma ** ** sing his **** Still Loomis ******** ** ***** *** wife Martha ** **** himself ** ***** **** ******** *** ********* the **** that ** ** dealing **** * ****** ********** ****** ******* over *** identity ** which ** *** ****** ****** on *** **** *** ***** and ****** on *** other ********* ***** ****** ** the ************ ****** *** ******* ****** ******* *** helps ****** **** **** it one ***** the ***** ******* *** *** ** *** play ****** *** ****** **** **** contact **** *** another ******* *** to ******* *** **** ***** *** **** trying to **** *** ******* *** along ****** ******** it ** *** ****** *** ** ****** ** ****** *** ******* is within himself While ********** with Martha ** says ********* the **** **** ******* ******** ** ** ** chest **** ***** ***** ** **** Now * *** **** **** I *** *** my ******* and make ** *** ******** (Wilson pg *** ** ******* learns ** ***** * ***** for him and ******* ** ** all ******** ******** *** memories he *** **** **** *** In *** of *** **** ************* **** ***** ****** ****** ************* * ** people ***** **** me up *** Turner ***** **** ** up! ******** ******* wanna **** ** ** You wanna **** ** ** **** *** Turner **** and **** *** ****** ****** ain’t *** ** ******* * ******* gonna *** ****** **** ** ****** ******* ** *** ****** ******* has reached the ***** Bynum ****** him to be at He ** confident and understands *** obligation For *** last **** ***** ***** ****** *** **** he ***** ** **** *** man ** *** ****** him *** ***** ** says ***** ******** *** Herald ****** * aint bound you * ***** *** little **** ** *** ****** That’s who * ***** *** ******* ******** *** ***** **** your **** *** you got to ** is ***** up and sing ** ****** Loomis ****** ***** ***** ******* ** **** ****** *** you *** ** do ** **** ** **** *** ** ******* ******* pg *** However ** **** * negative impact ** his ************ **** While conversing **** *** ******** ****** once **** ** Zonia" **** at you Your ******* too fast Your ***** getting bigger every day ***** **** *** ******* ***** ** ********** ***** The time ***** *** ****** ***** **** *** ******* lead Zonia ** **** growing ** is * negative ****** **** wont get ** ******* ** ***** ******* *** ** ******* **** ******** * ******** Take ** **** *** **** ** **** ********* *** never ******* I ******* get ** ******* * *********** ******* ***** Her father’s ***** ******** *** *************** ***** ******* her believe ******* ** ** a *** change *** *** ** *** ***** *** ****** *** **** ** did *** **** ** **** up She ***** she **** not stay *** ****** *** ********* conversing with Martha ****** **** *** **** **** of ******* *** got? **** **** ** clean *** *** ****** *** **** ****** ***** **** *** clean? *** ***** **** blood?” ******* ** *** *********** ****** ** finally **** to **** *** **** ** slashes ******* ****** *** ***** **** * ***** ******** ***** ***** **** *** ***** Rubbing *** blood over his **** ** ***** ** sing ******** standing! ***** standing My **** ***** *** ***** ******* ******* ******* pg *** ****** ** ******* in * ***** ** ***** to ** ** *** a ***** **** and **** *************** he believes *** ***** **** **** all *** negativity ** *** **** ******* ** to *** Loomis ***** ********** *** ********* of * *** lifeIn order to ****** Americanized ** *** **** Emancipation Proclamation ** ******* ****** *** is also **** ** the ********** *** generation ***** ** ***** *** ****** ******* ********** to the ***** *** ** break **** **** *** connection **** Joe ********* act ** ************ can ***** ** a ******* ***** ***** **** ********* *** ************ ** Joe ******** **** *** **** ****** *** connection ******* ******** *** ***************** **** was **** ****** slavery" Bynum ****** **** when a man ******* *** **** and **** off ** ****** ** ** *** song ** usually **** the *** *** the ******* (Shannon ******** pg **** His ***** ****** ** ****** ****** *** ******** song ** self-sufficiency-with him all along **** when he ********** ** ** *** ****** ***** not be **** ** **** ** **** *** ***** *** ****** **** a symbolic relationship ***** also ***** **** Loomis from his own ******** *** ********* He ** ******* *** ****** needed in his **** ****** also ************ *** ***** **** *** be used as * motivating ***** ********** ******* ** self-awareness ********* ******** **** ** positive because ** ** **** ****** ********* by *** coerced ******** ** ***** **** never ******** *** ********** to Africa" ******** ******** ****** ** addition ****** uses *** **** ** ******* ****** ********* *** ***** ********** *** discover *** ** ** * ****** *** his ****** ****** Loomis proves *** **** that positive ****** *** ************ ****** positively in ******* life ****** *********** ****** *** ****** ** lose *** *************** ******** and *************** ******** *** way ** **** *** ********** **** ***** brought ********** and *********** of ****** could ********** **** **** his ********* Cited1Sandra ******* *** **** ******** ****** ****** and Black Aesthetics ***************** *** **** ** 20042August Wilson *** ********** **** *** **** Penguin ***** ********* ****