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Type: Written Paper Style: Modern Language Association Format Length: 1,000 words Description: Write a literary analysis of one of the readings we have engaged with thus far that utilizes one of the
Type: Written Paper
Style: Modern Language Association Format
Length: 1,000 words
Description: Write a literary analysis of one of the readings we have engaged with thus far that utilizes one of the schools of literary criticism.
Be Sure to: Include a Works Cited page.
First Critical Response Essay
Critical Response Essays are intended to demonstrate the student's understanding of the assigned literary works and give the student the opportunity to reflect on his or her academic considerations of that work or author. To begin, a student should choose one of the readings that have been assigned and combine this with one of the schools of literary criticism we will consider to come up with an argumentative topic and thesis for his or her paper.
The reading i am choosing is "The Cask of Amontillado" by Edgar Allen Poe. The question to be answered is:
How is Montresor considered an "unreliable" narrator in Poe's "The Cask of Amontillado"?
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*** ************* ****** the ************* instability The ***** ******* supporting **** **** **** ********* is * problematic ******** is the **** madness ** ********* Reviewing *** **** ** Montresor ********* ********* over ************ ***** *** possibility ** ********* being anomalous *** example ********* can ** viewed ** ********* ***** ** ** ********* *** abandoned Fortunato behind * ***** divider **** he *** manufactured ** ****** ** **** **** *** solid ****** of *** ********* *** **** ********** **** **** The ********** that ******* to **** ** ********* ******* ** *** executing ****** irregularity ** **** a **** *********** *** * theme ****** *** ***** Montresor's *********** ** ******** ******* up ***** he ********* ***** heart **** ***** ** *** the ******** ** *** ********* **** **** ** so” **** **** **** following ** ***** ********* was ******* ** ****** *** *** whereabouts ******* distress and ***** feel ********* ************ ********* ** years **** be *** **** an ****** ****** Montresor's ********* from *** **** ***** *** clarification much ************* **************** other ********* ** the story **** ***** ********* progressively *********** is *** the ********** **** he ***** *** **** *** **** ********* *** ******** ********* is ****** ********* ** ** almost ***** like *********** Resembling *** ********** *********** *** **** *** ***** ** ****** ** extremely ********* ******* ** ** is ******** by Montresor *** ** ******* ***** Truth ** **** ********* ******* * **** ****** full **** * top and ******* This ************ Fortunato was to ** * ***** Moreover Montresor ******* * **** **** ***** ******* ** the ******* **** ** ** ** ** sure *** ******** ****** ** the storySealing *** *********** ** be ************ ** ******** ***** ** *** ******* ** the ***** is *********** *** ****** *** expediently ********** **** **** ** *** dim ********** *** sodden The ******** of the models * **** ***** ***** the ***** *** ************ ********** *** ******* ***** these ***** its ********** ******* is **** ** ********** Among ***** ******* ********* **** *** ********* ****** peak ********** ******* affronts ** without **** ** *********** **** **** and ********* ******** a **** ***** ** ***** or at *** end of *** *** ***** ***** **** present story's ************ *********** ** is observed that *** ******** gives *********** of ******** that *** ****** ******* *** that ** ***** ****** ** ********* by the ******** similarly *** ***** ** the ********* ***** ***** ** *** ******** ***** ********* ******* ************ **** *** ***** ***** ********** These ****** *************** the ************* ********* ** *** unending *********** would **** any ****** ****** ******** *** ************ ** *** ******** accounts * ***** **** **** Cask ** ************ affirmations ******* that *** ***** ***** some **** ** ********** **** *** that *** characteristic describing should ** ****** ** genuine to be **** as ***** ************ *** *********** ***** not to ** ******* by another ********* *** ***** ** an incongruity that was ***** ** *** ****** A ***** ** **** impacts **** ******* readers to ***** ** the *********** ******* as * ******** ***************** CitedBaraban ***** V **** ****** for ****** *** *** Cask of ************ by Edgar ***** ********* ******** Review ** Language *** Literature(2004): ******** ***** Allan ****** Cask ** ************** ******** *********** ******* ******** Writing Eighth ******* ** ******* ********* Boston: Wadsworth **** 218-223 *******
