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Write 5 pages thesis on the topic hot vs cool: louis armstrong and miles davis.
Write 5 pages thesis on the topic hot vs cool: louis armstrong and miles davis. Even though their thoughts about jazz were opposite in many ways, the mastery of their performances and ability to feel the vibes of their time saved their music for new generations. While Armstrong focused on developing basic jazz techniques and set standards for other musicians to follow, Miles Davis managed to use these standards as a point of departure to new amazing jazz styles, techniques, and their combination.
Louis Armstrong was the first to become famous and widely recognized in the world of jazz music. He represented swing and hot jazz music which could be characterized by purely entertaining sounding. Fast tempo and joyful rhythms were exactly what other people expected jazz to be (Tamashiro). In many ways, Armstrong made jazz more popular in different groups of people. In crossed the line of purely entertaining music and was considered to be an art form by critics. However, people still perceived jazz as music for dance and entertainment.
Armstrong moved jazz away from the simplicity of Dixieland bands or attempts to make it more popular with the help of full orchestration in the swing. Solos became the most important part of any performance because they made jazz diverse and more engaging and unpredictable for listeners. Armstrong’s extended solos added diversity and complexity to jazz compositions (Monson 135). Before Armstrong, jazz performances were focused on whole ensembles. However, Armstrong was seeking the opportunity to express his mastery and reveal it in his performances.
Armstrong was one of the first performers of jazz who used his personality and preferences in jazz to develop his own unique music style (Tamashiro). Armstrong utilized all parameters of Dixieland in his jazz. upbeats, tonalities, tempo, and rhythmic structure. His music was syncopated and complex. it contained numerous upbeats and changes in rhythm. When is more important, it had enough space for solos and improvisations which allowed to reveal Armstrong’s trumpet technique and make the melody more artistic. In order to foreground his solos, he used the call response technique and comping (Monson 44).
