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Write 9 pages thesis on the topic the ontology of the work of art. Through a systematic demonstration of the existence of such objective essences, as are .implied by topics in Roman Ingarden’s
Write 9 pages thesis on the topic the ontology of the work of art. Through a systematic demonstration of the existence of such objective essences, as are .implied by topics in Roman Ingarden’s, The Ontology of the Work of Art, an application of ideas such as the portrait and the stratum of presented objects, a comparison between the picture and the painting, and Non-Presentational (abstract) pictures will be explored in detail.
In discussing the portrait, the idea of aesthetics must be explored. The nature of aesthetic values was generally employed by Ingarden. (Web/Online1) Ingarden distinguishes the true aesthetic object in a piece of work as both the “physical” and the “concretization” or gap. (Web/Online1) For Ingarden, there are three different strata in which pictures are to be analyzed with respect to the portrait: (1) the reconstructed aspect, (2) the presented object coming to appearance, and (3) the literary theme. (Meyer & Goldthwait, p151, ch2) Literary works and the characters and objects represented in them .were to provide examples of “purely intentional objects, which are those, owing to their existence to consciousness”. (Web/Online1) The cooperation of each of these strata will enable an object to hold “metaphysical qualities, such as tragedy, the dreadful, the peaceful, and so on.” (Web/Online) However, if a literary theme is lacking, Ingarden states: “If the exercising of this function is to succeed, then the object presented in the picture must at least be similar in a certain respect to the object that is depicted, and that is ordinarily not perceptually given during the contemplation of the portrait.” (Meyer & Goldthwait, p151, ch2) Similarly, physical attributes are not singularly presented in a physical object, such as a person. it is those concepts of metaphysical, such as spirituality shown in the face that is what holds significance, rather than merely the face itself. (Meyer & Goldthwait, p151, ch2) It is important to regard the “lasting traits” of the object, according to Ingarden. (Meyer & Goldthwait, p151, ch2) The portrait can be .“dissimilar in regards to the purely physical appearance”.
