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You will prepare and submit a term paper on Analysis of chapter 3 in the book Ways of seeing. Your paper should be a minimum of 1000 words in length.
You will prepare and submit a term paper on Analysis of chapter 3 in the book Ways of seeing. Your paper should be a minimum of 1000 words in length. In specific, it will look into the various sentence structures, paragraphs and the entire organization of the book, at large (Berger 24). The thesis of the chapter will be arrived at after the analysis.
Berger begins the chapter by pointing out that, women and women, during the early days, had various types of social presence. Men were normally measured or rated by the degree of power they offered. The power, in this case, may exist in many different forms, for instance, physical, moral, and economic. A man’s presence, according to this book implies what he is able or unable to do for anyone. A woman’s presence, on the other hand, shows what can be done or cannot be done to her. What a woman does contribute to her presence in a particular environs or occasion. She has a responsibility to keep men (Berger 24). Her being is split into two, that of being a surveyor and being surveyed. The woman’s sense of being which is always appreciated by other people, especially men. “The surveyor of woman in herself is male: the surveyed female. Thus, she turns herself into an object –and most particularly an object of vision: a sight (Berger 47). This sentence, analyzed, has certain unique features that are uncommon in any other normal sentence. First, the use of colons and parentheses is meant to give more explanations on the intended information being displayed by the author. For example, the colon in the last section of the sentence has a role of giving an explanation, or an answer to the question or the issue being discussed in the previous parts of the sentence. It expounds on the object of vision being discussed in the sentence. Berger, in this case, therefore has shown his artistic knowledge of being a smart and creative writer.
In another part of the chapter, Berger identifies that women are the major subjects in one category of European oil painting, that is, the nude.
