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Your assignment is to prepare and submit a paper on tectonic revolution. In Towards An Architecture, Le Corbusier begins by discussing the relation of tools of construction to the epochs in which they
Your assignment is to prepare and submit a paper on tectonic revolution. In Towards An Architecture, Le Corbusier begins by discussing the relation of tools of construction to the epochs in which they were invented – Stone Age, Bronze Age, Iron Age – and argues that “they are direct and immediate expressions of progress. tools are necessary helpmates. tools are liberators too.” He draws a parallel between the nature of the building, specifically the house, and a connection to religion. for Le Corbusier, the house roof is akin to a steeple pointing toward heaven. He believes the ‘religion of the house’ has remained static for centuries and must change in order to better suit the nature of humanity. He derides National Schools for perpetuating this traditional concept of the house, and presumably architecture in general. For him, these schools and their traditional modes of architectural production are perverted by being too ornate, as their reliance on facades and other means of expression demonstrate that they have become too far removed from what he believes is the true nature of architecture.
What Le Corbusier is getting at in this piece is that the forms of architecture should be based on things that are closer to mathematical reasons. That with the advent of the tectonic and industrial revolutions the architectural and social order has changed so dramatically that there should be a corresponding shift in architectural form. He states, “Our exterior world has been formidably transformed in its appearance and its use owing to the machine. We have a new vision and a new social life, but we have not adapted the house accordingly.” Throughout the essay, there is a noticeable aesthetic favoring of what he perceives as a rational and mathematical order. In one instance, he even aligns the taste with the natural order of the world of which mathematics and rationality and similar aligned with, and implies that only buildings designed in this state of mind are aesthetically appropriate, “Architectural emotion: that’s when the work resounds inside us in tune with a universe whose laws we are subject to, recognize, and admire.”
In all, the essay is a firm affirmation of the tectonic revolution, and it suggests a new aesthetic approach devoid of the facades that are promoted in the National Schools. .
In Five Points Towards a New Architecture Le Corbusier outlines five points that develop his vision of new architecture in tune with the tectonic revolution. His ideas in this article are very similar to those he discusses in Towards An Architecture, namely the heavy reliance on mathematical forms and rationality in constructing the buildings. For instance, he writes, “Both supports and support foundations are precisely calculated according to the burdens they are called upon to carry. These supports are spaced out at specific, equal intervals, with no through for the interior arrangement of the building.
