Compose a 2500 words essay on Evaluate the representation of Berninis David. How has it evolved from the earlier works of Donatello, Verrocchio, and Michelangelo How does it mirror the Counter-Reforma

Compose a 2500 words essay on Evaluate the representation of Berninis David. How has it evolved from the earlier works of Donatello, Verrocchio, and Michelangelo How does it mirror the Counter-Reformation efforts of the Catholic Church. Needs to be plagiarism free!

Donatello (DONATO DI NICCOLO BARDI) (c. 1386-1466) was a Florentine sculptor. His close study of ancient sculpture and attention to perspective was the beginning of the reform of Florentine art in the quattrocento. He was very influential in his time on local art, especially through his free standing sculpture and his bas relief work. One of the most famous was the marble David of 1408 in Florence by Donnatello. (Rundle, 1999, p. 133)

Donnatello’s Bronze David was rumored to have been paired with Judith and Holofernes., another bronze depicting Judith beheading the tyrant king with his own sword after sneaking into his tent.The may have been displayed together in the Medici garden as symbols of their resistance to unification of Italian states. (McHam, 2001). They preferred a Florentine city-state separate from Rome, Italy or the Catholic Church, as they were that hoilders of power here. In a unified state the power would move to the church. These two statues would have been symbolic of the Medici’s love of freedom, and would have represented a distinct affront to the church . David’s total nakedness and anatomically correct depiction would have been offensive. Further, this statue is a young boy in his teens, and because the body language hints vaguely of homosexuality, it was quite controversial when it was first shown (My thoughts on the three davids « this gaudy gilded stage ). The statue shows David after his return from the field against Goliath, with the heavy sword of the Goliath in his right hand and his harp at his feet.

Verrocchio, Andrea del (ANDREA DI CIONE) (c. 1435-1488) was another Florentine sculptor, painter, and goldsmith. He was probably a pupil of Donatello. He created many great works in bronze for the Medici family. (Rundle, 1999, p. 402) Verrochio’s David is just as militant as Donnetello’s, and also in bronze. However, this