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I need some assistance with these assignment. two compositions masterpieces Thank you in advance for the help!
I need some assistance with these assignment. two compositions masterpieces Thank you in advance for the help! Andy Warhol was pushed to engage in his array of Marilyn Monroe canvasses by reports of her suicide on August 4, 1962. Since childhood, Warhol had been much interested in pop culture icons and celebrities. In 1962, he was perfecting silk-screen paintings of the movie stars Warren Beatty and Troy Donahue (Warhol, Michelson, & Buchloh 2001). Afterward, on the 5th of August, Marilyn Monroe was discovered lifeless in her residence in California. After the death of the famous actress, Warhol created a silk-screen picture of her facial features. He used specific shades for the painting, and afterward, he silk-screen engraved the image of Marilyn's face over the shadows. Throughout the following years, Warhol created numerous portraits of Marilyn in a variety of shades. Marilyn Diptych was one of the largely replicated and mentioned of all the Marilyn Monroe paintings.
 . . . . . . . . . . . Warhol was the pioneer of the Pop Art movement, in which collectiveness or being in a group, rather than distinctiveness and individualism, was valued. This movement was a reaction to the 1950s and 1960’s mass pop culture. Trendsetting and the need to ‘go with the flow’ and ‘fit in’ was becoming quite powerful (Young 2001). Thus, Warhol illustrates Marilyn Monroe in the pinnacle of her prominence. When creating colored images like Marilyn Diptych, Warhol would develop the idea back to front: first Warhol would put colors under the backdrop and specific color zones making up, for instance, the red lips, golden hair, green eyelids, and the pink face, before the final putting of colors over the silkscreened graphic illustration of the individual being depicted. The regions of bright shade do not merely serve as visual highlights but function vividly to emphasize the brightness of the media glamour and character of Marilyn Monroe. The minor discrepancies in the under-paintings provide richness to Marilyn’s-colored pictures without reducing the feeling of dullness.
A thorough analysis of a 1955 Willem De Kooning’s painting, Gotham News, can encourage an interesting study on the diverse aspects of the social and cultural environment of artistic endeavor in New York City, as well as De Kooning’s art works in the 1950s.
