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I will pay for the following article Hemingway. The work is to be 6 pages with three to five sources, with in-text citations and a reference page.
I will pay for the following article Hemingway. The work is to be 6 pages with three to five sources, with in-text citations and a reference page. Beegel explores the short story ‘A Room on the Garden Side.’ In this story, Hemingway depicts the war as it is, in the most realistic manner, but still bound by the rules of fiction. There is realism in the language, but there are formalistic fictional characteristics. For instance, Hemingway uses the garden light that affirms the presence of war, because it highlights newly oiled weapons piled on tactical maps. There are also "mushroom-shaped heads of the long-tubed Panzerfausts”, a simile used for captured German weapons that indicate death and decay instead of the color and joviality that is common for a Parisian flower garden. Hemingway offers an honest account of the grueling realities of war, which impacts people and changes their values, attitudes, and behaviors.
Cirino analyzes Nicks strategy of returning to the woods of his youth. He shows that this action is a form of “metacognition”, where he can think about his thoughts. This way, he can distract his self from his own inner tribulations. Cirino argues that Big Two-Hearted River shows the refinement and complication with which Hemingway uses mental control, where Nick seeks to change his cognitive activity. Hemingway employs the theme of war to understand the psychological ramifications of active service. Mental control is needed to resolve the mental impacts of the war. This is a scholarly article that matches external metaphors and psychological experiences. The result is suppression of trauma that is self-defeating, based on Cirino’s analysis.
Johnston seems to disagree with Trout and Lamb that the autobiographical account of Hemingway’s short stories is secondary to its literary analysis. Johnston says that Steinbeck praised The Butterfly and The Tank because Hemingway opens himself to the violence and injustice of his time. .
