I will pay for the following article Modern Chinese Literary Self and Identity. The work is to be 5 pages with three to five sources, with in-text citations and a reference page.

I will pay for the following article Modern Chinese Literary Self and Identity. The work is to be 5 pages with three to five sources, with in-text citations and a reference page. Throughout a century wherein the building of a national literature and cultural identity that would allow China to contend with Western writers has been quite vital, Chinese experiences with the Nobel Literature Prize prior to the latter part of the 1970s reveal symbolic issues in the modern Chinese literature identity (Lovell 74-75). This essay argues that the pursuit of a new individuality, identity, and selfhood, the building of a national identity and the aspiration to compete with the West form the foundation of the modern Chinese literary identity.

The cultural discourse in the latter half of the 1980s was focused on reviving and strengthening a Chinese culture that had been blemished in the Cultural Revolution. What began as an obvious politically motivated campaign by Deng Xiaoping to create the atmosphere for transitioning into a new government, in his support for the expression or communication of new ideas or thoughts, the national cultural discourse in the end branched off into two paths (Lovell 88). In the place of established institutions, like the Beijing University and Chinese Academy of Social Sciences, experts and cultural frontrunners like Li Zehou—his re-creation of the Enlightenment agenda of China which is a mixture of scientism, Kantianism, Neo-Confucianism, and Marxism—and Liu Zaifu—his model of aesthetic autonomy and subjectivity, effort to instill encouraging ideas and attitudes into society by recommending new ambitious frameworks for social and cultural reforms has been taking place (Chen 33).