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MAN ONE (shouting) It isn't the kid . . . it's Bob Weaver's house. WOMAN ONE It isn't Bob Weaver's house, it's Don Martin's place. CHARLIE I tell you it's the kid. DON It's Charlie. He
MAN ONE
(shouting)
It isn't the kid . . . it's Bob Weaver's house.
WOMAN ONE
It isn't Bob Weaver's house, it's Don Martin's place.
CHARLIE
I tell you it's the kid.
DON
It's Charlie. He's the one.
Which best describes the effect of the stage directions in this excerpt?