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Need an argumentative essay on Love. A Raisin in the Sun. Needs to be 2 pages. Please no plagiarism.Indeed these wrongs and flaws initially present him as an antagonist, while his belated rise to manh
Need an argumentative essay on Love. A Raisin in the Sun. Needs to be 2 pages. Please no plagiarism.
Indeed these wrongs and flaws initially present him as an antagonist, while his belated rise to manhood turns him into a sort of hero in the last scene of the play. Walter, a developing character, deserves to be called the protagonist, since the plot of the play revolves around his actions and decisions.
Walter’s initial haughtiness, belligerent attitude, insolence, and obsession with money essentially evolve from his immaturity and his experience of poverty. Walter is a loving and caring father of Travis. He is concerned with his son’s good schooling: “we’ll go up to your room to see you sitting on the floor with the catalogues of all the great schools in America around you. . . .All the great schools in the world!” (Act II, scene ii). Though he is good at heart, his fear of poverty and his obsession with money with his far-fetched dream of living wealthy and prosperous life blindfolds him from viewing the stern face of reality. Consequently he continues being haughty and belligerent to other family members’ opinions for the family’s welfare, though ultimately he changes his stance and rises to manhood. He continually endeavors to discover new better plans with a view to securing the family’s economic prosperity. Indeed Walter’s dream of a financially prosperous life often seems to exceed the limit of reality. He dreams a near-aristocratic lifestyle. Such Walter’s obsession with an upper-class lifestyle is vividly evident in a reply to his son: “Your daddy’s gonna make a transaction . . . a business transaction that’s going to change our lives. . . .one day….I’ll come home . . . I’ll pull the car up on the driveway . . . just a plain black Chrysler” (Act II, scene ii). Walter’s dream of an economically prosperous life is tinged with an aristocratic manner: “I think, with white walls—no—black tires . . . the gardener will be clipping away at the hedges” (Act II, scene ii). His obsession with his
