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Provide a 6 pages analysis while answering the following question: Fallingwater: Franklin Lloyd Wright. Prepare this assignment according to the guidelines found in the APA Style Guide. An abstract is
Provide a 6 pages analysis while answering the following question: Fallingwater: Franklin Lloyd Wright. Prepare this assignment according to the guidelines found in the APA Style Guide. An abstract is required. Rather than constructing the traditional four-square home that observes nature from without, Wright created a structure that would provide shelter and comfort to the family, but that interacted with nature on a fundamental level. The residence is not so much a house as it is a man-made outgrowth of nature, perfectly in tune with its surroundings, able to take part in the daily occurrences of the river and thoughtful of its natural neighbors. To understand how Fallingwater connects and harmonizes with its natural surroundings, it is important to understand its general characteristics, Wright’s approach to architecture, how the exterior works to blend with the surroundings, how the interior works to extend or replicate nature indoors and how these work together to create a movement and flow to the overall home that provides that same sense of healing nature that could be found prior to the house’s construction.
One of the founding principles in Wright’s philosophy was a deep-seated belief in the idea of nature as sacrosanct. “Nature is not only the will of God, but it’s also the only part of God we’re ever going to see,” he said during a video recording documenting his accomplishments (Iverson, 1988). According to Wright, who grew up studying the natural forms and positions of his Wisconsin valley, everything in nature took on a form of architecture he wanted to design. “What is architecture? Architecture is the frame of life. It is the nature and substance of whatever is. The universe has a plan. Everything has its plan” (Wright cited in Iverson, 1988). To Wright, the important aspect of architecture was in providing a sense of shelter, which was a feeling as much as a form, leading to his development of the open-style prairie houses with the emphasis on the horizontal. .
