Your assignment is to prepare and submit a paper on linking architecture to nature through biological system.

Your assignment is to prepare and submit a paper on linking architecture to nature through biological system. For example, natural constructions have characteristics relating to material continuity, attaining an ideal amalgamation of functionality, and materiality, and geometry. However, current structures conventionally comprise a number of discrete elements having varied functionalities that lead to a material discontinuity that has parts’ assembly becoming specifically challenging. Such challenges emanated from mechanical stress peaks, difficult joints, and related issues.

The answer to this question is by linking Architecture to nature by introducing the concept of waves, water, and movement. When the wind is blowing into the lake surface it will produce changing and movement in the surface of the water. Spectra project that derives awareness of the inherent responsibility of art in society raises awareness for environmental problems and highlights alternative production methods.

Kinetic art results from whatever medium, which contains movement that results from perception by an observer or are dependent on movement for its effect. Kinetic art earliest examples include the canvas paintings, which extent the artwork perspective of the viewer as well as incorporating multidimensional movement. Relevantly speaking, today kinetic art defines the three-dimensional sculptures as well as figures like mobiles, which make movements naturally or through the operation of a machine (Tovey 1971). A motor, wind, or even the viewer powers the parts that move generally. Kinetic art comprises of several overlapping techniques as well as styles.

This day understood as a fragment of historical Lexicon art, few groups that were concerned with the creation of art that incorporated movement (Christie's, 2014) explored kinetic art simultaneously across the world. Part of kinetic art involves virtual movement, which is the motion perceived from certain angles only or even sections of the artwork. Virtual movement is a term that in most times clashes with ‘apparent movement’. Apparent movement relates to a term that most individuals will use when they refer to the movement of artwork that generates from systems powered by electricity, machine, or wind. Both virtual and apparent movements remain as part of kinetic art styles that have recently become arguably OP art styles (Loser 2005). Op art and kinetic art have overlapped. however, the overlap amount is insignificant in terms used by art historians as well as artists in consideration to merge both art styles under a single umbrella term, nevertheless, some distinctions need design yet.&nbsp.&nbsp.