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QUESTION

Create a 9 pages page paper that discusses is portrait photography showing or stealing people souls.

Create a 9 pages page paper that discusses is portrait photography showing or stealing people souls. A quality of a photo very often depends on the ability of a photographer to make correct and ethical shots: “A much better approach is to take photos in a relational way. This doesn’t mean you need to have talked to them for hours, swapped numbers and told you deepest secrets before photographing them – but it does mean that taking their photograph can actually become a friendly interaction between people from different cultures” (People are not Sites).

Moreover, photographers are hoping for their cameras ability to sell the soul of an individual. There is the following expression, which generalizes attitude of people for shots and cameras: "It rubs me the wrong way, a camera. It’s a frightening thing. Cameras make ghosts out of people" (Robert Zimmerman (aka. Bob Dylan). To my mind, Bob Dylan developed an apt definition for the camera, because it describes a personal attitude to the camera. It is described in a negative context and we can claim that if a bit of the subject’s soul is stolen, the portrait is great. Every photographer should ask the question: if I make a photo, why am I doing that, actually? A part of a person soul is stolen and it is appropriate for an individual to set clear goal and considerations about that. We can claim that from a general perspective, "Overall,&nbsp.as&nbsp.a&nbsp.genre, portrait&nbsp.photography&nbsp.represents&nbsp.a&nbsp.consequential silent yet dynamic&nbsp.visual&nbsp.category&nbsp.of&nbsp.cultural&nbsp.representation:&nbsp.it&nbsp.has&nbsp.the&nbsp.ability&nbsp.to manifest&nbsp.conventions&nbsp.of&nbsp.behavior&nbsp.and&nbsp.appearance&nbsp.appropriate&nbsp.to the members of&nbsp.a&nbsp.society&nbsp.in&nbsp.any&nbsp.given&nbsp.era.&nbsp.Age,&nbsp.gender,&nbsp.race&nbsp.physical&nbsp.beauty,&nbsp.occupation,&nbsp.and&nbsp.class&nbsp.often&nbsp.can&nbsp.be inferred from the&nbsp.external&nbsp.signifiers&nbsp.housed within&nbsp.a&nbsp.rendered&nbsp.composition" (King 2008, p. 78).

When a piece of a person soul is stolen then a portrait is great. Nevertheless, the quality of a portrait depends on external factors too. For example, if a person stands in the office hall and a photographer wants to make his photo, he will hardly capture the soul of this person. A creative picture is produced, but there is no even a part of a soul of a person…&nbsp.

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